{"title":"Irish Photography Books — Photo Museum Ireland","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIreland has produced a remarkable body of contemporary photography - work made with a distinctive attention to landscape, community, identity and the textures of everyday life. This collection brings together books, catalogues and publications by Irish photographers stocked at Photo Museum Ireland, many of them available as signed or limited editions directly from Ireland's national photography centre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAmong the photographers represented here: Daragh Muldowney's Beacons documents three winters on the frozen surface of Lake Baikal in Siberia, where small pine trees planted along ice roads guide travellers across the oldest and largest freshwater lake on earth. Roseanne Lynch's GRAMMAR emerges from an 18-month residency at the Bauhaus Foundation Dessau, exploring the power of photography in shaping the visual history of modern architecture. Noel Bowler's Above the Fold takes us inside newspaper newsrooms across the world - a six-year project about the people and places that sustain a free press. Ishmael Claxton's The Lioness, The Potion, and The Wardrobe explores identity and creative expression through portraits made in the depths of the Covid lockdown, shot on film.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAlso represented: Missy Brinkmeyer, Donovan Wylie, Trish Morrissey, Akihiko Okamura, Dorothy Cross, Bertrand Carrière, Adam Broomberg and Oliver Chanarin, and many more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEvery purchase directly supports independent photographers through PMI's consignment programme. Signed and limited editions are available on many titles while stock lasts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePhoto Museum Ireland is Ireland's national centre for contemporary photography, based in Meeting House Square, Temple Bar, Dublin, supporting photographers and the photography community since 1978.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"one-by-eamonn-doyle","title":"ONE by Eamonn Doyle","description":"\u003cp\u003eNumber One in a new series of publications by Eamonn Doyle who started printing the contact sheets for this project in our photographers darkroom during last year. Edition of 300, signed and Numbered. 70 x 50 cm \/ endorse folder to 35 x 50 cm ,24 images, Printed double black on Munken Print Cream, 115gsm with screen-printed cover. \u003cem\u003eOne\u003c\/em\u003e features images from a recently made collection of unique, bespoke-process, large format, gelatin silver contact prints.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":41302381854883,"sku":"GA-SI-0984","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/emonn-doyle-one.png?v=1763738305"},{"product_id":"the-light-of-day-by-tony-oshea","title":"The Light of Day, Tony O'Shea (First Edition, Signed Copy)","description":"\u003cp\u003e\"Tony O’Shea is interested in the moment where the ritual and the casual face each other in the complex light that comes from Irish skies. He likes gatherings and public spaces. And he is watching for the second when, even if his subjects are performing, a guard has been let down, and the camera becomes an uneasy, tentative, hesitant window into the soul. He seeks images of individual loneliness and isolation, figures in a state of reverie and contemplation, or figures in a state of excitement.\"\u003cspan\u003e - Colm Tóibín\u003c\/span\u003e\u003c\/p\u003e","brand":"RRB Photobooks \u0026 Gallery of Photography Ireland","offers":[{"title":"Default Title","offer_id":41311057674403,"sku":"RR-HA-0986","price":300.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/tonyoshea.png?v=1763903091"},{"product_id":"anywhere-please-by-padraig-murphy","title":"Anywhere Please!, Padraig Murphy (Signed)","description":"","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":42235284324515,"sku":"PH-PH-0993","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/anywhere-please.png?v=1763741862"},{"product_id":"a-modern-eye-by-helen-hooker-o-malley","title":"A Modern Eye by Helen Hooker O'Malley","description":"\u003cp\u003ePhoto Museum Ireland, \u003cspan data-mce-fragment=\"1\"\u003etogether with the National Photography Archive, are presenting two complementary exhibitions devoted to the work of American artist, Helen Hooker O’Malley (1905-1993) Ireland was Helen’s most important source of inspiration for over half a century. Her decades-long love affair with the landscape, history and people of Ireland was ignited by her tumultuous relationship with revolutionary and author, Ernie O’Malley.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHaving met Ernie in the US in 1933, Helen braved family opposition to elope and marry him in London, 1935. The couple established homes in Dublin and Mayo and had three children together. Despite divorcing Ernie in 1952, Helen’s love of Ireland endured undiminished.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/COM_480x480.jpg?v=1654178674\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCormac O’Malley hosting a tour of A Modern Eye, Helen Hooker O’Malley’s Ireland at the Gallery of Photography\u003c\/em\u003e\n\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eHelen photographed her life in Ireland from 1935 onwards. Here in the Gallery of Photography, we present her early work – explorations made during expeditions with Ernie into the Irish landscape, her observations of Irish rural life particularly in County Mayo, and her portraits of artists and friends. We also include a fascinating record of her travels in Russia and East Asia.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe NLI’s collection of Hooker O’Malley’s photographs dates largely from the mid 1970’s, when she found a new freedom, enthusiasm and energy to pursue her art. These works demonstrate a mature creativity honed over a lifetime’s involvement in the visual arts. The exhibition includes iconic Irish landmarks, such as Croagh Patrick, portraits of Helen’s artistic circle, including Paddy Moloney and Mary Lavin. In addition to spontaneous images of everyday life in 1970’s Ireland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe exhibition is accompanied by a book featuring over 120 photographs and texts by Cormac K.H. O’Malley and Luke Gibbons.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eA Modern Eye\u003c\/i\u003e continues at the Gallery of Photography until September 1st. It will be at the National Photographic Archive until November 2nd 2019.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.galleryofphotography.ie\/a-modern-eye-helen-hooker-omalleys-ireland\/\" title=\"Helen Hooker O Malley\" target=\"_blank\"\u003eVisit archive here. \u003c\/a\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":42396514615459,"sku":"PH-PA-0995","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/amoderneye.png?v=1763905498"},{"product_id":"tomorrow-is-sunday-by-miriam-o-connor","title":"Tomorrow is Sunday by Miriam O'Connor","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e‘Following the death of my brother Jerome, I returned home to be with my mother and sister and to help run the family farm. That was in 2013, and since then, against the backdrop of everyday farming life, photography and my relationship to it has taken many twists and turns. In the beginning, I welcomed it for its ability to help me navigate the chaos of intense grief. Later, I resented it for making light of or romanticising such a tragic period in my life, in our lives. Sometime later, I surmised that if photography was going to make things better, or serve any function at all, then it had better be put to work. \u003c\/p\u003e\n\u003cp\u003eChanging course, I began to use photography in conjunction with routine farm tasks. I embarked on a series of self-portraits over an entire farming year. I made lists. I wrote stories. I compiled inventories of animals, rocks, water troughs, stakes and gates. I assembled these photographs into small logbooks which acted like micro manuals for survival. I became obsessed with a tree which, over time, became a huge source of comfort, a place that I consistently returned to time and time again when I was trying to find my way.  \u003c\/p\u003e\n\u003cp\u003eTomorrow is Sunday is the sum of all of these paths. This book represents an attempt to make sense of that time. It is my way of acknowledging the complexities of grief and the magnitude of navigating a way through this life-changing event’ (Miriam\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMiriam O’Connor\u003c\/strong\u003e is from Cork and was educated at Technological University, Dublin and later completed a Research Masters at Dun Laoghaire Institute of Art Design \u0026amp; Technology, Dublin (2011). Her work has been featured in magazines including; Camera Austria, Source Photographic Review, The New York Times and The Guardian. Recent exhibitions include, newly commissioned work \u003cem\u003eIsla Blue\u003c\/em\u003e for Active Archive – Slow Institution – The Long Goodbye at Project Arts Centre, Dublin (2019) and works in \u003cem\u003eThe Parted Veil \u003c\/em\u003eat The Lewis Glucksman, Cork (2019). In 2018 she exhibited in \u003cem\u003eInteriors and Other Landscapes\u003c\/em\u003e, Sternview Gallery, Cork, \u003cem\u003eRHA Annual Open\u003c\/em\u003e, Dublin and in \u003cem\u003eEncountering The Land\u003c\/em\u003e at VISUAL, Carlow. In conjunction with Galleri Image, Denmark, she was commissioned to produce new work for \u003cem\u003eFRESH EYES – International Artists Rethink Aarhus\u003c\/em\u003e, which was exhibited during Aarhus Capital of Culture, 2017. In the same year her work was part of a touring show \u003cem\u003ePost-Picturesque: Photographing Ireland\u003c\/em\u003e at Rochester Arts Center and the Perlman Teaching Museum, USA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis project has been supported by Cork County Council (2017), The Arts Council of Ireland (2018), Creative Europe Cooperation Project “A Woman’s Work” (2020) and Gallery of Photography Ireland (2020).\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":42396514779299,"sku":"PH-HA-0997","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/uewuhbwiubwe.png?v=1763906563"},{"product_id":"the-lie-of-the-land-by-o-kelly-duncan-murphy-haughey-sloan-seawright","title":"The Lie of the Land by Mick O'Kelly, John Duncan, Padraig Murphy, Anthony Haughey, Sloan, Paul Seawright","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnyone living in or interested in Ireland cannot but be aware of the enormous changes that have occurred in the recent years of our perception of ourselves and our society, The visual cliches, fostered for decades by native advertising and tourism and too easily accepted as a comforting representation of reality are clearly no longer able to explain contemporary complexities. The social and political upheavals of recent years have created a much altered socio-cultural environment that demands a fresh approach from the photographers, a new visual grammar. It is the diversity of contemporary Irish Photography's response to these evolving conditions that this work represents.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn exhibition publication, \u003cem data-mce-fragment=\"1\"\u003eThe Lie of the Land\u003c\/em\u003e , co-curated with Ute Eskidsen of the Folkwang Museum, Essen, presents the work of John Duncan, Anthony Haughey, Padraig Murphy, Mick O'Kelly, Paul Seawright and Victor Sloan. Each artist carries the diverse cultural baggage of their Irish inheritance, yet images in this publication and exhibition may not strike you as they are from conventional visual conceptions of Irishness.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":42396514812067,"sku":"PH-PA-0998","price":10.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"my-dublin-1963-my-dubliners-2020-special-edition-by-alen-macweeney","title":"My Dublin 1963, My Dubliners 2020, Alen MacWeeney (Special Edition)","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eIn September 1962 Irish photographer Alen MacWeeney returned to Dublin from a year in New York, working for the acclaimed photographer Richard Avedon. Equipped with a 35mm Leica camera, he went onto the streets of the city to engage with life directly as he saw it. Almost 60 years later, during the pandemic lockdowns and isolation of 2020, that we all experienced, MacWeeney’s photographs of Dublin 1963 were shared by his partner, Pesya, with a group of online Dubliners.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe result was a virtual explosion. An instantaneous torrent of observations, comments and opinions filled the screen. As more photographs were posted, the online community scrutinised every incidental detail. Responses bristled with Dublin humour. The people and locations that MacWeeney had captured were recognised and disputed. Discussions and recollections drew in multiple participants, the online exchanges eliciting wonder, incredulity, nostalgia, warmth – and sometimes anger. This previously unseen series of photographs had come to life again in the unexpected confinement of a pandemic to grace a multitude of new lives through a bond of shared interest and humanity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow all photographs in the series have been published with a selection of these online comments by the community in a book by Alen MacWeeney entitled, My Dublin 1963, My Dubliners 2020. The book is about the power of photography in creating a conversation that unites the community, and transports the viewer back to another life. It is local history. It is about life in a Dublin of the past being brought back into the present in 2020 by today’s Dubliners, “straight from the horse’s mouth”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor MacWeeney, “Reading the reaction of Dubliners in lockdown to seeing the people or places they knew as children, – mothers and fathers, relations and friends, coming or going to work, playing in the streets, or on a date, waiting for the bus, or just being there as I was at the time, was electrifying; a pure joy to read their responses.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Alen MacWeeney Archive is held by University College Cork.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/libguides.ucc.ie\/alen_macweeney\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Lilliput Press","offers":[{"title":"Default Title","offer_id":42396534079651,"sku":"TH-HA-1013","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/dublinphotographcover.png?v=1749222247"},{"product_id":"k-by-eamonn-doyle","title":"K by Eamonn Doyle","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his Dublin trilogy (i, ON and End.) Eamonn captured the combined actions of the city and its population as they played out in front of him. With K, he moves away from the urban east coast to the western Atlantic edge of Ireland, to a landscape that, in places, appears out of time, a parallel world untouched by human presence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough the intense colour images of K, we follow a figure that shape-shifts as it travels across this landscape. Entirely veiled in cloth, the figure is spectral, changing in colour and materiality as it is pushed and pulled by gravity, wind, water and light. In places it appears almost gaseous, in others it is molten and then, at times, the weight of being earthbound becomes apparent. Accompanying these colour images, K includes a number of dense black and white photographs that appear to describe some kind of seismic evidence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePrinted on a number of pages in the book are stratified layers of hand-written letters from a mother to her dead son. Eamonn’s brother, Ciarán, died suddenly at age 33 in 1999. His mother, Kathryn, never managed to escape the grief of such a time-reversed event, right up until her own death in 2017. In the letters, we can make out a word here and there, but the cumulative effect is their appearance as musical notation, a veil of sound waves, a phonetic score for lament.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWorking with a 1951 recording of an Irish Keen, musician David Donohoe has composed a new, two-part piece for voice that accompanies this body of work for exhibition, and is included in the book as a 10″ vinyl record. This layered and ever-changing composition forms an integral part of our experience of K, relating directly to it in both form and expression. The Keen (or Cine, from the Irish caoinim, “I wail”) is an ancient Irish tradition of lamentation songs for the dead, to carry their spirit over to the other side and to act as a cathartic expression of grief for those gathered around. Traditionally Keens are performed directly over the body of the deceased by women. In some of the images of K, the contorted and wind-blown shapes of the figure and cloth seem to take on the form of the wailing sound itself.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith his Dublin work, Eamonn looks at how the contemporary forces of the city and the movement of its people continually shape each other. In K, he seeks out the primal, even primordial, forces that have sculpted and driven us into being.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cruelty of the speed of light is that we can only ever look back in time. The further we look out, the further back in time we see. But this does bring the past into the present as we attempt to understand, even though sometimes we just cannot. This is as true of a photograph taken on the streets of Dublin as it is of one taken of plasma clouds in distant galaxies. And we can only comprehend any of this by passing through the vibrations of time, like a song cast out to the cosmos.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"up-sells upsells products\" data-mce-fragment=\"1\"\u003e\u003c\/section\u003e","brand":"Self","offers":[{"title":"Default Title","offer_id":42396536963235,"sku":"SE-HA-1037","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/K_EAMONDOYLE.jpg?v=1676031724"},{"product_id":"local-special-edition-by-pete-smyth","title":"Local, Pete Smyth","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto Museum Ireland was delighted to publish a retrospective book: 'Local' by photographer Pete Smyth featuring work from his extensive photography project documenting aspects of life in Tallaght, West Dublin.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Local' invites us into a forgotten corner of contemporary Ireland-Tallaght, on the periphery of Dublin-where Pete Smyth has lived and worked for over thirty years. Smyth’s uniquely intimate account captures the richness and humour of a community at the frontline of Ireland’s rapid modernisation. His approach is deeply affectionate, but without sentimentality, inviting us into private spaces, moments of quiet drama -and some wild nights in his local, the Killinarden House pub.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA bittersweet celebration of a community, and a soulful exploration of our universal need to belong, 'Local' adds a vital and previously neglected point of view to the canon of Irish photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSmyth is one of Ireland’s leading socially engaged photographers. He has lived and worked in the area for over 30 years. I\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003en that time a he has developed a uniquely intimate account of the place and its people. Aware of the complexities of his dual role of observer and participant, Smyth’s close, personal engagement with his subjects is visible throughout. The exhibition also reflects his political concerns and experiences as a community arts worker and social activist. Smyth’s unsentimental representation of Tallaght and its people makes visible the social and physical transformation the area has undergone from a socially deprived outlying suburb to an urban centre with a strong sense of community.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":42396541059235,"sku":"GA-PH-1060","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/CopyofCopyofNavyandWhiteMinimalistGiftVoucherInstagramPost.png?v=1766141929"},{"product_id":"fire-s-love-song-by-enda-bowe","title":"Love's Fire Song, Enda Bowe (Signed)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBelfast is a city segregated and divided: its so-called peace walls , built to separate Unionist and Nationalist communities, are taller in places even than the Berlin Wall. For his current project, 'Love's Fire Song', Enda photographed youth culture on either side of the peace walls, choosing the symbolic bonfires of the 12th July and 8th August as his starting point. Rather than the expected images, laden with political and religious imagery, he concentrated on the ordinary, the everyday. The photographs are shown as a coherent series, using a muted colour palette with only subtle symbolisms, and without reference to the specific locations they were taken. Free from political and geographical context, the photographs speak of longing, yearning, aspirations and vulnerabilities of young people in Belfast today; their myriad joys and sorrows; lingering on the moments that can resonate with us all, independent of our individual backgrounds and inherited place and beliefs. \u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Swallow","offers":[{"title":"Default Title","offer_id":42396541092003,"sku":"BL-PA-1061","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/endabowe.png?v=1763915426"},{"product_id":"holy-pictures-special-edition-by-tony-murray","title":"Holy Pictures -Special Edition with darkroom print by Tony Murray","description":"\u003cp\u003eHOLY PICTURES\u003c\/p\u003e\n\u003cp class=\"\"\u003eTony Murray\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHoly Pictures\u003c\/em\u003e captures the last vestiges of popular devotional practices once widespread in Ireland. Tony Murray’s vivid images from the late 1970s and early 1980s are a compelling record of an aspect of Irish life that has largely disappeared. By turns poignant and surreal, the photographs depict pilgrims, devotees and true believers against the backdrop of a changing Ireland. An introduction by historian Daithí Ó Corráin and interview by photo historian Orla Fitzpatrick place these important images in context.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e\u003cspan\u003e Tony Murray\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eForeword:\u003c\/strong\u003e\u003cspan\u003e Daithí Ó Corráin\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e\u003cspan\u003e 978-0-9569493-9-4\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e\u003cspan\u003e Hardback, 263 x 246mm, landscape, 150gsm paper\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eExtent:\u003c\/strong\u003e\u003cspan\u003e 208 pages with 156 duotone and 9 colour photographs\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e\u003cspan\u003e 300 copies\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003cspan\u003e 1.5kg\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublished:\u003c\/strong\u003e\u003cspan\u003e April 2020\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e\u003cspan\u003e Niall McCormack\u003c\/span\u003e\u003c\/p\u003e","brand":"Hi Tone Books","offers":[{"title":"Default Title","offer_id":42396541649059,"sku":"HI-PH-1076","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/holypictures.jpg?v=1676033640"},{"product_id":"the-flats-pearse-house-village-in-the-city-by-jeanette-lowe","title":"The Flats: Pearse House, Village in the City, Jeanette Lowe","description":"\u003cp data-mce-fragment=\"1\"\u003e'The Flats: Pearse House, Village in the City' is an extraordinary and unique exhibition by award-winning photographer Jeanette Lowe. 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The text-based series, ‘Not all battlecries are meant to be heard’, is a collection of slogans taken from annual reports and social media platforms that have been engraved on steel plates; photographed in a gallery setting, each recontextualises the values and visions of corporate landowners. The juxtaposition of the two works emphasises the temporal nature of a world always in flux and the ongoing efforts to control it.\u003cspan class=\"gmail-Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lubok Verlag","offers":[{"title":"Default Title","offer_id":42732370657443,"sku":"LU-PA-1600","price":22.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/Ofbounds.jpg?v=1670416057"},{"product_id":"next-exit-by-liam-murphy","title":"Next Exit by Liam Murphy (Signed)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpice boxes. 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Michael Boran, David Farrell and Michael Durand were selected to participate in the Bank’s 2006 Art Project. Each artist was commissioned to produce a body of work with consideration to any aspect of the Bank; its architecture, location or its social environment. The artists were granted access to all levels of this landmark building and organisation and each took up the challenge in their own way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Michael Boran’s work focuses on the Plaza and steps. It reveals the secret poetry of fleeting moments captured as people go about their everyday business. A man looking in his wallet shows the keepsake snapshot inside. People entering and leaving the building make bold patterns against the steps, playfully mirroring the graphing of economic ascent and descent. 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Durand’s work, which occupies the entire upper gallery, concludes with a site-specific installation made from approximately €2million in decommissioned euro notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e David Farrell presents When a Building Sleeps, a series of photographic prints and video works shot inside the bank after office hours. Farrell deftly sets up a set of relationships – between reflection and reality; interior and exterior; and daytime and nighttime – which are played out over a sixty-minute realtime video piece. Like the building’s suspended floors, the work conveys a sense of weightlessness: the viewer seems to float or hover over the city. Its dreamlike quality is instilled with an underlying sense of surveillance. 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She immersed herself there in the sites of the\u003cbr\u003eBauhaus and its Materials Research Archive while also working through the\u003cbr\u003eelementary design teachings of the Bauhaus School with photographic\u003cbr\u003eprocesses. Her images act as visual prompts through the recognition of\u003cbr\u003emodernist identifiers showing the power of photography in shaping the visual\u003cbr\u003ehistory of modern architecture.\u003cbr\u003e\u003cbr\u003eThrough making in abstract and documentary ways, Lynch’s work explores\u003cbr\u003ethe peculiarity of photographic images in terms of what they allow to appear\u003cbr\u003eand the ways in which they stand in for what they represent. Her work\u003cbr\u003econsiders the role of photography in the coding of social structures that\u003cbr\u003ecreate and maintain themselves through images. 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He does not intrude or interpret. He offers up a close (but not close-up) portrait of an institution. His photographic style sits between art photography and documentary photography in a way that has a clear lineage in recent decades in Northern Ireland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eIt is a mode of photography that allows for a long, slow look at things, and in which the physical textures of objects, landscapes and materials become meaningful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eMost obviously, this is undramatic photography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eWe might think of the Orange Order primarily through its parades—public, colourful, performative acts of celebration and heritage, or triumphalism and intimidation, depending on one’s viewpoint. In Newman’s work the colour and bombast have been drained, so that the images are dominated by the grey and the drab—the concrete of the car park, the rendering on the wall, the industrial steel of the shipping container. And the lines where these dullness’s meet draw the eye to the banal”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e– Colin Graham\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003ca href=\"https:\/\/www.ria.ie\/blog\/orange-halls-along-the-border-brian-newmans-association-and-the-quandary-of-unionism\/\"\u003ehttps:\/\/www.ria.ie\/blog\/orange-halls-along-the-border-brian-newmans-association-and-the-quandary-of-unionism\/\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eColin Graham is Professor of English at Maynooth University and author of \u003ci\u003eNorthern Ireland: Thirty Years of Photography\u003c\/i\u003e (2013).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eASSOCIATION is Published by Photo Museum Ireland\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":47147757142363,"sku":"PH-BO-1965","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/associationcover.png?v=1755257806"},{"product_id":"ceremony-by-michael-croghan","title":"Ceremony, Michael Croghan","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"bgLayers_comp-lku8by2q\" data-hook=\"bgLayers\" class=\"MW5IWV\"\u003e\n\u003cdiv id=\"bgMedia_comp-lku8by2q\" class=\"VgO9Yg\"\u003e\n\u003cspan style=\"font-size: 0.875rem;\"\u003e\"'Ceremony' is a work in progress, and was shown first in \u003c\/span\u003ean\u003cspan style=\"font-size: 0.875rem;\"\u003e installation in Cruthu Arts Festival, County Longford, Longford Town, July 2023.  It is a series of photographs that examines the power of images with the translation of an unrelated space into something very personable. An unfamiliar space to me in my youth, I felt affinity with these places, reminding myself of an experience I believe these photographs share. Using the backdrop of forests and the ephemeral materialisations of youth found in it. A shared space, where you can find personal memory lingering in the hope of a return, you know will never come back. This place and remnants I find transcend to memories of innocence and exploration of body, mind and spirit. Bringing you back to that sense of a ceremonial threshold you never see til it is gone. While not having shared that same physical place, there is a connection that evokes that same hidden threshold once crossed.\" (Words by Michael Croghan)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Michael Croghan","offers":[{"title":"Default Title","offer_id":47524555227483,"sku":"MI-MA-2117","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Ceremony.jpg?v=1704469473"},{"product_id":"inis-meain-1973-2023-by-chris-rodmell","title":"Inis Meáin 1973-2023, Chris Rodmell (First Edition)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhotographing 50 years apart, the book chronicles the culture and way of life on the island and how it has changed in half a century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second largest of the Aran Islands, Inis Meáin is situated across the mouth of Galway Bay on the West coast of Ireland. When Chris Rodmell arrived in 1973 the island was eagerly anticipating the arrival of electricity, the population of just over 300 people taken up with trades of fishing and cattle rearing. 50 years on, less has changed than might be expected. Fishing and cattle rearing are still a large part of the way of life, along with the Inis Meáin Knitting Company, founded in 1976, is the island’s largest employer producing Contemporary Irish knitwear.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRodmell first visited the island after winning a £250 award from Thames Television to film life in an “enclosed community living on one of the remote islands off Ireland or Scotland.” Setting off with a 16mm Bolex, tape recorder and a medium format Mamiya, Rodmell spent three weeks with the people of Inis Meáin and has maintained a lifelong admiration for the place and its culture. Rodmell revisited a number of times in the intervening years, and in 1996 began to rephotograph in earnest for what would become\u003cspan data-mce-fragment=\"1\"\u003e '\u003c\/span\u003eInis Meáin 1973-2023'. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book comprises two halves, the first containing the photographs from 1973 and a few stills from the 16mm film, the second reflecting back from our vantage point in 2023. Rodmell’s moving image background is evident in his approach to photography, weaving the narratives of everyday life together giving the viewer an immersive experience of island life across the decades. The book is interspersed throughout with interview excerpts from the 1973 film connecting the islanders through time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA foreword is contributed by Tarlach de Blácam, founder of the Inis Meáin Knitting Company, who also moved to the island in 1973 and a reflective essay by schoolteacher Róisín Conneely who was born and raised on the island. The text is presented in both Gaelic and English; the Aran islands boast one of the highest concentrations of Gaelic speakers anywhere in the world with many residents still speaking it as their primary tongue. The preservation of the language is bound together with the preservation of island traditions and these texts provide important context for Rodmell’s work and his place within the island’s community.\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"RRB Photobooks","offers":[{"title":"Default Title","offer_id":47567103787355,"sku":"","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/inismeaincover.png?v=1755256595"},{"product_id":"the-memories-of-others-akihiko-okamura","title":"The Memories of Others, Akihiko Okamura","description":"\u003cp\u003eTravel through the captivating world of Japanese war photographer Akihiko Okamura with\u003cspan\u003e '\u003c\/span\u003eThe Memories of Others\u003cem\u003e.'\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eThis groundbreaking publication unveils Okamura's remarkable yet largely unseen body of work in Ireland during the late 1960s to the early 1980s. Delve into a richly illustrated exploration of Okamura's profound artistic vision and his unparalleled commitment to capturing the essence of Irish and Northern Irish history.\u003c\/p\u003e\n\u003cp\u003eThrough the lens of Okamura's camera, witness the transformative power of his photographs, which transcend conventional representations of conflict. From poignant moments of peace amidst turmoil to intimate portraits of communities, Okamura's work offers a unique perspective on the Troubles in Ireland. Unlike traditional photojournalism, Okamura's vibrant, colour-rich images challenge the norm, inviting viewers to experience the depth and complexity of his subjects in a new light.\u003c\/p\u003e\n\u003cp\u003e'The Memories of Others'\u003cspan\u003e \u003c\/span\u003egoes beyond mere documentation, offering a profound reflection on the artist's personal journey and his deep connection to Ireland and its people. Featuring insightful essays by esteemed scholars and firsthand accounts from those who knew Okamura, this anthology provides a comprehensive overview of his enduring legacy.\u003c\/p\u003e\n\u003cp\u003ePublished by Atelier EXB and Prestel, some of photography’s most influential publishing houses, this collection is accompanied with essays and texts by Okamura’s Daughter Kusi Okamura; photography historian and curator Pauline Vermare; photo historian, author, and curator Masako Toda; award-winning journalist Seán O’Hagan and Photo Museum Ireland Artistic Director and CEO, Trish Lambe. 'The Memories of Others' is an unparalleled contribution to the study of photography and the experience of conflict in Ireland.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhile Okamura remains highly respected in Japan, his Irish work and experience, crucial to both his oeuvre and his personal life, had never been studied until now. \u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Editions EXB","offers":[{"title":"Default Title","offer_id":47656833614171,"sku":"","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/memoriesofotherscover.png?v=1754670617"},{"product_id":"at-mirrored-river-by-enda-bowe","title":"At Mirrored River, Enda Bowe (Signed)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe project has been exhibited at The Visual Centre Of Contemporary Art, Ireland, July to Sept 2016 and has received nominations for the Deutsche Borse Photography Prize and the Prix Pictet Award. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book has received support from people including film directors Ken Loach and Lenny Abrahamson, writer Colm Toibin, The Victoria \u0026amp; Albert Museum, photographers Tom Wood, Donovan Wylie and Eamonn Doyle. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Swallow","offers":[{"title":"Default Title","offer_id":47661939884379,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/mirroredrivercover.png?v=1755263967"},{"product_id":"source-114-spring-2024-imagination-copy","title":"Source 114 - Spring 2024 - Home","description":"\u003cp class=\"intro_para_standard00\"\u003eSource 114 - Spring 2024 - Home\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003eThe idea of ‘home’ as a place of refuge is a modern one. As Danielle Patten from the Museum of Home explains, it is only in the 20th Century, with greater home ownership, more regulation of working hours and the pervasiveness of modern communication that we come to see our homes as bastions of privacy. With the advent of social media and the experience of a global pandemic that had us working in our front rooms again, perhaps that process is being reversed and our domestic space is becoming semi-public once more.\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003eAnnie Ernaux and Wolfgang Tillmans in different ways (but with similar photographs) have recorded a particular intimacy associated with our living spaces. They have both photographed discarded clothes, suggesting the recent vulnerability of their wearers. Klara Fritz writes about the way a small domestic untidiness can point to larger philosophical themes of absence.\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eLydia Goldblatt’s \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eFugue\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e is driven by a need to \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"explore and respond to the fundamental themes of intimacy, claustrophobia, love and loss that have been brought to the fore through the loss of my mother and becoming a mother myself\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e. The work gives a representation of domestic space that is neither apologetic nor idealised. The poet and essayist Jessica Traynor responds to the images. Traynor’s most recent collection of poems Pit Lullabies includes a fractured sequence of attempted lullabies that moves from dark days of new motherhood to lighter times. Traynor was intrigued by \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"the echoes I found between our similar but different experiences\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eDorje de Burgh’s \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eUnder the Same Sky\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e documents Carrick-on-Suir and the surrounding area of County Tipperary during the Covid-19 pandemic, in particular that moment’s atmosphere of trauma and inertia. The work attempts to map a personal conception of home, belonging, community and alienation. Una Mullally writes about the work and how it leaves her \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"questioning: do we ever belong where we end up, even if that’s where we’re 'from'? Is this place being left behind, or am I?\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eThe Shannon Development Photographic Archive\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e is part of the Special Collections and Archives Department at the University of Limerick’s Glucksman Library. In 2023 it received funding from the Wellcome Trust to catalogue, conserve, digitise and increase accessibility to its 25,000 – 36,000 original photographic negatives. This was part of a collaborative project \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eThe New Jerusalems: post-war New Town archives in Britain and Ireland\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e. We asked Colin Graham to have a look at the archive. In his essay to accompany the images he notes how Shannon \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"became a home for newcomers and future generations and a kind of social experiment which Ireland was unprepared for\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"editorialcredit00\"\u003e— The Editors\u003c\/p\u003e","brand":"Source Photographic review","offers":[{"title":"Default Title","offer_id":48225169899867,"sku":"SO-MA-2201","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/sourc114.jpg?v=1730550016"},{"product_id":"girls-night-eimear-lynch","title":"Girls Night, Eimear Lynch","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 'Girls' Night', Eimear \u003c\/span\u003e\u003cspan\u003eLynch offers us a captivating glimpse into the ritual of Irish girls getting ready to go to their local disco, from the rural community halls of County Antrim to the bustling streets of Dublin. With a focus on the concept of girlhood, Lynch's images beautifully capture the camaraderie and anticipation that define this transformative stage of adolescence.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith foreword by Simone Rocha and writing by Gráinne McCullough, Marley Nolan, and Eimear Lynch.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"IDEA","offers":[{"title":"Default Title","offer_id":48259231908187,"sku":"ID-BO-2202","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Untitleddesign-4_4962e6b4-ea15-465f-9e99-07c9184ffaa7.png?v=1760796800"},{"product_id":"changing-states","title":"Changing States: Ireland in the 21st Century - Catalogue","description":"\u003cp class=\"\"\u003e\u003cstrong\u003ePresented by Photo Museum Ireland, IKS Photo, Düsseldorf, and Haus am Kleistpark, as part of Zeitgeist 24, an initiative by Culture Ireland and the Irish Embassy in Germany, in media partnership with ARTE.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eChanging States: Ireland in the 21st Century \u003c\/em\u003eis the largest group exhibition of Irish photography presented outside Ireland to date. Focusing on the first decades of the 21st century, coinciding with the centenary of the founding of the Irish state, it shows the depth and breadth of contemporary photography in Ireland. The exhibition reflects how Irish artists have responded to and critically reframed the recent profound shifts that have occurred in Irish society - surveying Ireland’s transformation from an insular nation-state to a more liberal, globalised and multicultural society. \u003c\/p\u003e\n\u003cp class=\"\"\u003eFeaturing works by 34 contemporary artists, the exhibition and catalogue present three key themes: \u003cem\u003ePolitical Landscapes\u003c\/em\u003e, \u003cem\u003eNotions of Home,\u003c\/em\u003e and\u003cem\u003e Changing Identities\u003c\/em\u003e. Encompassing diverse vantage points of the medium, ranging from documentary photography to more socially engaged and conceptual approaches, the exhibition considers how leading artists working in Ireland have addressed major socio-political developments to reflect on changing demographics, cultural identities, contested territories and social reform.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eParticipating artists: \u003c\/strong\u003eCiarán Óg Arnold, Audrey Blue, Enda Bowe, Noel Bowler, Simon Burch, Ala Buisir, Martin Cregg, Eamonn Doyle, Ciarán Dunbar, John Duncan, Robert Ellis, David Farrell, Anthony Haughey, Conor Horgan, Shane Hynan, Bernadette Keating, Jamin Keogh, Shane Lynam, Martin McGagh, Yvette Monahan, Trish Morrissey, Seamus Murphy, Brian Newman, Jackie Nickerson, Kenneth O’Halloran, Shannon Ritchie, Pauline Rowan, Paul Seawright, Niamh Smith, Daragh Soden, Amelia Stein, Lorraine Tuck, Tommy Weir, and Donovan Wylie.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe works by the featured artists respond to different aspects of these changes, tracing the many ways our past continues to shape the present. The selected works showcase the\u003cem\u003e \u003c\/em\u003edepth, breadth and vitality of contemporary photography in Ireland. The presentation of this exhibition reflects the partners’ commitment to preserving space for open conversations and debate in cultural institutions.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn recent decades the Irish state has witnessed a social revolution and contemporary artists have played a significant role in this process of change. Their critical voices have contributed to ongoing debates and have helped to challenge established power structures in post-colonial Ireland. The three chapters, \u003c\/span\u003e\u003cem\u003ePolitical Landscapes\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eNotions of Home,\u003c\/em\u003e\u003cspan\u003e and\u003c\/span\u003e\u003cem\u003e Changing Identities\u003c\/em\u003e\u003cspan\u003e each respond to different aspects of these changes, tracing the many ways our past continues to shape the present. The selection of works for the exhibition reflects our commitment to preserving space for open conversations and debate in cultural institutions. For this exhibition we have actively invited leading artists whose political convictions are a key element of their respective practices. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eMoving from traditional documentary practices towards more socially engaged and conceptual practices to the medium, \u003c\/span\u003e\u003cspan\u003eChanging States considers how artists have responded to the profound shifts that have occurred in Irish society. This survey represents the depth and range of recent Irish photography, as well as the extent to which artists have engaged with the most pressing issues of contemporary life. It\u003cstrong\u003e \u003c\/strong\u003echarts our transformation from an insular nation-state to a more liberal, globalised and multicultural society.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eThe exhibition and catalogue present three key themes: “Political Landscapes”, “Notions of Home” and “Changing Identities”. Encompassing diverse vantage points of the medium, ranging from documentary photography towards socially engaged and conceptual approaches \u003cem\u003eChanging States \u003c\/em\u003ecritically reframes contemporary life across the island of Ireland. The exhibition also features a screen installation featuring an overview of Photo Museum Ireland’s collection and the work of documentary photographer Tony O’Shea from the 1980s-1990s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003ePresented by Photo Museum Ireland, IKS Photo, Düsseldorf, and Haus am Kleistpark, as part of Zeitgeist 24, an initiative by Culture Ireland and the Irish Embassy in Germany, in media partnership with ARTE.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e06 June 2024 – 11 August 2024\u003cbr\u003eHaus am Kleistpark, \u003cbr\u003eBerlin, Germany\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":48265850061147,"sku":"PH-PH-2203","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/ChangingStatesCover.jpg?v=1715959051"},{"product_id":"young-dubliners-daragh-soden","title":"Young Dubliners, Daragh Soden (Signed)","description":"\u003cp\u003eExhibited in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2019 at \u003c\/span\u003e\u003cspan\u003ePhoto Museum Ireland, Dublin.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTen years on, the iconic photograph of a young couple at the back of the bus still resonates.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing previously unpublished photographs, the Young Dubliners book is introduced by award winning Irish author Colin Barrett.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e“'Young Dubliners', is an unabashedly romantic and cumulatively poignant study of the young denizens of Ireland’s capital. The portraits fizz and simmer with the ambivalent restlessness of adolescence, the balmy summer sense of energy to burn.”\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Daragh Soden","offers":[{"title":"Default Title","offer_id":48487699644763,"sku":"PH-PH-2208","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Young_Dubliners_book_preview_cover.jpg?v=1718276816"},{"product_id":"akihiko-okamura-special-edition-print","title":"Akihiko Okamura - Special Edition Print - Unframed","description":"\u003cp\u003eAkihiko Okamura - Special Edition Print - Unframed\u003c\/p\u003e\n\u003cp\u003e(please contact us for other versions)\u003c\/p\u003e\n\u003cp\u003e€360 - Unframed print, with tube.\u003c\/p\u003e\n\u003cp\u003e€420 - Unframed print, with double mount \u0026amp; wrapped. \u003c\/p\u003e\n\u003cp\u003e€540 - Framed Print\u003c\/p\u003e\n\u003cp\u003e€580 - Print, double mount and framed version \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBuild your collection with these special limited-edition prints by Akihiko Okamura. Each print 420mm x 594mm (A2 size, approx 16x20 inches), pigment printed on archival-standard Hahnemuele bamboo. Each print is from an edition of just 10.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOur limited-edition series draws on the Photo Museum Ireland Collection. This collection is a cultural resource with the aim of encouraging a wider appreciation for photography as an artform in Ireland and to reveal the depth of photographic heritage that exists here. The limited-edition print series serves as a capsule version of the larger collection and of recent Irish photographic history as a whole.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":48531871695195,"sku":"PH-SP-2209","price":360.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/2024_OKAMURA_PMI_Edition_Print.jpg?v=1718808612"},{"product_id":"borderlines-personal-stories-and-experiences-from-the-border-counties","title":"Borderlines: Personal Stories and Experiences From the Border Counties","description":"\u003cp data-mce-fragment=\"1\"\u003eThis book contains edited versions of 100 oral interviews and a photographic archive project recording Ireland and Northern Ireland's borders. The border between Northern Ireland and the Republic of Ireland is a constitutionally and ethnically contested area, born out of civil and political strife in 1921.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince the Good Friday Agreement, people have sought to address the legacy of 30 years of conflict. Dialogue began then on how we deal with the past. In 2001, the Healing Through Remembering project was founded and sought out answers to the question \"How should we remember the events connected with the conflict in and about Northern Ireland so as to individually and collectively contribute to the healing of the wounds of our society?\" One of the forms of remembering suggested was a collective storytelling and archiving process.\u003cspan data-mce-fragment=\"1\"\u003eBorderlines offers a platform for those who have been affected by the borders to speak on their own terms. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe voices are individual and give their own unique views of experiences connected to the border. The project opens the possibility for a society to learn from its past and hopes to contribute to personal and societal healing. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis book is an integral part of the Borderlines Project and includes an audiovisual archive and exhibition.\u003c\/span\u003eThe researchers were all local to the border or working within those communities. The research approach was phenomenological, seeking to understand and record the reality as the participants perceived it, whilst being mindful for personal subjectivity. The fact that the researchers were local to the area and from diverse backgrounds is essential to the ethos of the project. Likewise is that the skills and expertise gained through this experience would remain in the locality\u003c\/p\u003e\n\u003c!----\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":48572332966235,"sku":"PH-PH-2210","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Screenshot2024-06-27at11.20.18.png?v=1719483628"},{"product_id":"in-the-glow-of-a-frozen-flame-by-brian-teeling-jennie-taylor","title":"in the glow of a frozen flame, by Brian Teeling \u0026 Jennie Taylor, Signed Copies.","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEvocative, subversive images and flash fiction populate this publication, capturing and entangling a stillness of a witnessing object and the frantic movements of a living gaze. Time fictionally folds and collapses to bring details from 1921-24 into a dislocated moment. Imagery and storytelling act as tools to slice, swell and exaggerate sculptures, architectural features and historic events. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTeeling and Taylor’s work is drawn from research of the gallery with a focus on the display of 18th and 19th century sculptural forms in the gallery’s iconic Sculpture Galleries, combined with events that occurred and were visible from the building during the period and the life of a local artisan from the same time.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDesigned by Keith Nally, this publication is one of six artists’ projects commissioned by Crawford Art Gallery as part of BUILDING AS WITNESS which is kindly supported by the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media under the Decade of Centenaries Programme 2012-2023.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Crawford Art Gallery","offers":[{"title":"Default Title","offer_id":48605055451483,"sku":"CR-PH-2211","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/BT.jpg?v=1722938490"},{"product_id":"holy-show-issue-06","title":"Holy Show Issue 06","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"x-el x-el-span c1-1 c1-2 c1-7y c1-b c1-7z x-d-ux\"\u003eHoly Show\u003c\/span\u003e is a magazine of contemporary life and culture as seen through the eyes of Ireland’s artists. It adapts stories from the artists and their projects to the printed page. It showcases work from a diverse range of forms, like theatre, film, dance, music, visual art, and draws out compelling non-fiction narratives and critical writings that help us to understand who we are, where we’ve come from and where we’re going as a society.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem class=\"x-el x-el-span c2-t c2-u c2-3 c2-5u c2-15 c2-12 c2-5v c2-5w\"\u003eHoly Show\u003c\/em\u003e tells great stories. It’s got text, photography, illustration, poetry, film and chats. It analyses, criticizes and entertains. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----\u003cbr\u003e\u003cem class=\"x-el x-el-span c2-t c2-u c2-3 c2-5u c2-15 c2-12 c2-5v c2-5w\"\u003eHoly Show\u003c\/em\u003e is 190mm width by 270mm height, printed 4-color with perfect binding on uncoated stock with environmentally friendly non-hazardous vegetable-based inks. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePrinted at Westside Press in Dublin, Ireland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Holy Show","offers":[{"title":"Default Title","offer_id":48759230136667,"sku":"HO-MA-2236","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/20240730_133243.jpg?v=1722343061"},{"product_id":"source-115-summer-2024-wounds","title":"Source 115 - summer 2024 - Wounds","description":"\u003cp class=\"intro_heading00\"\u003eWOUNDS\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003eIs photography a wounding technology? Not necessarily. Jason Bate has collected stories from the relatives of injured First World War servicemen and discovered that domestic photography played an important role in easing their way back in to family and social life. Carefully including them in the small rituals of photographing significant family events could have a healing effect for someone with severe facial injuries.\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eDeborah Padfield has been using photography to try and visualise chronic pain. Unlike a typical injury, with a known origin, chronic pain causes \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"a crisis in meaning making\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003ebecause it has no obvious cause. Working with patients, she has been trying to find a way to represent it and thereby help them articulate their experience of this debilitating and destabilising condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eGareth McConnell’s work \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eSurvivors\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e first appeared in Source in 1998 to coincide with his exhibition \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eAnti-Social Behaviour\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e at Photo Museum Ireland. His new series, \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eIn the Shadow of the Butterfly Bush\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e, explores the same subject matter two decades on. It was commis- sioned by Northern Ireland Alternatives, a restorative justice charity that works within communities to collectively address the hurt and damage that is the legacy of conflict and social deprivation. Fionna Barber, who has written about art and post-conflict trauma in Northern Ireland, introduces the work. In the portrait diptychs at the heart of this project \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"the richly saturated closeups of buddleia flowers are silent witnesses to the unspoken traumas that dwell behind the faces of McConnell’s sitters\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eAla Buisir’s work \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eTint of Trauma\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e documents the experience of three women whose lives have been shattered by the ‘War on Terror’. The work builds on Buisir’s experience recording testimony while working on a project by the Bezna Theatre, The People’s Tribunal on Crimes of Aggression: Afghanistan Sessions A Durational Artistic Tribunal. The work is introduced by Joanna Bourke, author of \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eWounding the World: How Military Violence and War-Play are Invading our Lives\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"The photographs are shadowy traces of experience, juxtaposed with eloquent comments by the three women about how their lives have been transformed by discrimination and hyper-surveillance\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eSuella Holland’s \u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eA Joining of Self\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e was produced as part of her MFA in Photography at Ulster University during which she explored photography and stitching as a means of articulating childhood trauma. \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"Making photographs assists in regaining a sense of control and can help process emotions and experiences that have been unspeakable, whilst stitching on to the image or including stitched words as part of the image aids in the reconnection of self\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e. The work is introduced by Jennifer Good whose research is about the photographic representation of conflict. \u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"Having worked for some years on photographing the desolation of abandoned Irish houses (and there is no silence like the silence in Irish houses, abandoned or not), she now puts herself into the picture, in order to find her way out\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"editorialcredit00\"\u003e— The Editors\u003c\/p\u003e\n\u003c!----\u003e","brand":"Source Photographic review","offers":[{"title":"Default Title","offer_id":48759542710619,"sku":"PH-2237","price":5.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/current_issue_cover.jpg?v=1722344588"},{"product_id":"bui","title":"Buí - Signed Copies","description":"\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBuí\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMisty rain, slippery stones, a morning dip in the water.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA slice of toast, kitchen chats, the thrill of a beaded headpiece.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatchwork bedspreads, cabbages, shells sticking together.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn a world of our own for a while, appreciating but probably not quite fully realising how restorative it was.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSharing stories and sharing meals, tiny details considered.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA day of rain, a day of sun, two seasons all rolled into one memory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAbout Buí\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003eThe images of this series Buí were created in commune with the place and the time, with the weather, the light, the fashion and the magic company. Mother, daughter, friend, sister and each of these roles combined; some tangled, some seamless, all made better by being together.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe location lends itself to stillness on sloping hills, in a bay, on the edge of the water, disrupted no doubt by our presence but also happy to host our curious approach to life. Lace on stone walls, brocade in the kitchen, taffeta in the bog, every room inhabited with chatter and activity, stillness before the camera.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003ePhotographer Doreen Kilfeather imbues the series with these moments, not always visible to the eye. She sees the details of life which others might walk by. Challenging, responding and collaborating, Elsa is familiar with her mother’s technique. Both standing her ground and finding her ground she is our heroine in a time that stands still. The fashion pieces, flown in from London could have been born in this place. Shells from the sea, crystal falling like rain, crown of nature, crispy cotton, structure, softness, presence. Selected by stylist Aisling Farinella they enhance the images with a naturalistic approach.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eTaking its title from the location, Buí is the Irish word for yellow, a colour associated with hope. The bright yellow flower of the gorse plant is seen from the side of the road all over Ireland. In our folklore it is closely connected to women who used the flower to hand dye cloth and make potions and all sorts of medicines, as well as a general tonic – which we hope these images achieve.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDoreen Kilfeather\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDoreen Kilfeather is a Dublin-based photographer specialising in portraiture and fashion photography.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eA deep understanding of light and shadow, and a sense of intimacy and connection define her work. Her personal projects focus on her family and friends and their children. She returns to these communities of friends each year to document the feeling of being a child, an adolescent, a young adult, in portraits that capture both the person and a sense of the place they occupy.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eHer work has been featured in publications such as Irish Tatler, Image, Cara, The Gloss, Boys by Girls and Faire magazine.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e@dkilfeather\/ dkilfeatherphotography.com\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAisling Farinella\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAisling Farinella is a stylist, creative director and consultant working across fashion and cultural platforms. A sought after stylist, her work is featured in prominent Irish and international publications, working closely with leading Irish artistic talents, designers and clients. Her individual styling aesthetic is conveyed through a naturalistic approach and a love for elevating portraiture through fashion.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eAisling is Consulting Fashion Editor at Irish Tatler, a Board Director of the IDI and course lead for the CFA NCAD Professional Diploma in Fashion Communication. She was editor and co-creative director of Thread (2011-2018).\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e@aisfarinella\/ aislingfarinella.com\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePublication Details:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographer: Doreen Kilfeather\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStylist: Aisling Farinella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eModel: Elsa Murray\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographed on location at Bothar Buí and the local area in West Cork, Ireland.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFashion: Simone Rocha AW20 \u0026amp; SS21 Collections, and model's own\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWords: Aisling Farinella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublication Design: Keith Nally\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted by KOPA, Lithuania\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePublished by THREAD Editions, Ireland.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted in an edition of 260\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan\u003ePublication launch at Photo Museum Ireland 11\/09\/2024\u003c\/span\u003e\u003c\/p\u003e","brand":"Thread Editions","offers":[{"title":"Default Title","offer_id":48987498971483,"sku":"TH-BO-2244","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Bui0002.jpg?v=1725883446"},{"product_id":"5-x-irish-postcard-bundle-set-by-steve-turner","title":"Irish Postcard Set, Steve Turner","description":"\u003cp\u003eSet of postcards depicting Ireland through its various settings photographed by Steve Turner. Each set includes ten scenes from:\u003c\/p\u003e\n\u003cp\u003eLahinch Beach, Co. Clare\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eForty Foot, Co. Dublin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eVito's Bath, Dalkey, Co. Dublin\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eConnemara, Co. Galway\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAn Fear Marbh, Dingle Peninsula, Co. Kerry\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eKilcummin Beach, Co. Kerry\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eKeem Bay, Achill Island, Co. Mayo\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBrittas Bay, Co. Wicklow\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eGlendalough, Co. 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The artists all take\u003cbr\u003ean expanded view of the social, psychological, and material realities of\u003cbr\u003eembodiment – of being a ‘body’ in the world. In their varied practices they\u003cbr\u003econfront societal norms and perceptions, encouraging a dialogue about\u003cbr\u003eauthenticity and self-acceptance.\u003c\/p\u003e\n\u003cp\u003eUsing their own experiences, the artists in Skin \/ Deep present ways of\u003cbr\u003ethinking about gender, identity and sexuality that have only recently\u003cbr\u003ebegun to be acknowledged in Irish society. Photo Museum Ireland is\u003cbr\u003ededicated to providing a platform for artists addressing these key social\u003cbr\u003eissues through their work, which we are undertaking as part of our wider\u003cbr\u003einstitutional commitment to equality, diversity and inclusion in the arts.\u003cbr\u003eThis catalogue, with an essay by exhibition curator Darren Campion,\u003cbr\u003eserves as a visual and contextual companion to the featured works.\u003c\/p\u003e\n\u003cp\u003ePhotobooks are an essential part of the art form of photography. To date,\u003cbr\u003ethis has been an under-developed aspect of photographic practice\u003cbr\u003ein Ireland. This publication is part of Photo Museum Ireland’s IMPRINT\u003cbr\u003eseries, a publishing and residency initiative supporting artists in the\u003cbr\u003edevelopment, design and production of catalogues, photobooks, and\u003cbr\u003eartists’ monographs. 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Julia Tanner introduces the work and comments on how\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"The humour and theatricality of Birtles’ wearable props – a fetish dress, Judo belts – invites the perverse and the improbable into the normally sober discussions of ecological vulnerability\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eWater is the key element in Sam Laughlin’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eSpinning Away\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e. Made in the Severn Estuary using large format black and white photography with exposure times ranging from five minutes up to two hours, these works were born of\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"a desire to be closer to the moon, to feel its influence\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e. Laughlin relinquished control over much of the image-making process, giving agency to the moon, allowing it and tidal water to interact in front of him and the camera. Martin Barnes introduces the work and how in it\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"intro_mid_para_quote00\"\u003e\"We seem engulfed in a primordial, dream-like space of deep and cyclical time\"\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"intro_para_standard00\"\u003e\u003cspan class=\"intro_para_standard01\"\u003eThe nature of Earth is the subject of Shane Hynan’s\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"intro_mid_para_italic00\"\u003eBeneath | Beofhód\u003c\/span\u003e\u003cspan class=\"intro_para_standard01\"\u003e\u003cspan\u003e \u003c\/span\u003ewhich explores the culture and landscape of bogs in the Irish midlands. 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Each print 420mm x 594mm (A2 size, approx 16x20 inches), pigment printed on archival-standard Hahnemuele bamboo. Each print is from an edition of just 10.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOur limited-edition series draws on the Photo Museum Ireland Collection. This collection is a cultural resource with the aim of encouraging a wider appreciation for photography as an artform in Ireland and to reveal the depth of photographic heritage that exists here. The limited-edition print series serves as a capsule version of the larger collection and of recent Irish photographic history as a whole.\u003c\/p\u003e\n\u003c!----\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":49833068233051,"sku":"PH-SP-2374","price":360.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/IMG_6910.jpg?v=1736257761"},{"product_id":"framed-through-time-a-celebration-of-limerick-camera-club-1943-2023","title":"Framed Through Time - A Celebration of Limerick Camera Club 1943-2023","description":"\u003cp\u003eDiscover the world through the lens of the Limerick Camera Club in this captivating photography book. With a rich history spanning decades, Limerick Camera Club's members showcase their exceptional skill, artistry, and unwavering passion for photography. 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Here he has captured the essence of Dublin City and County from above with over 250 stunning pictures.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Collins Press","offers":[{"title":"Default Title","offer_id":49917087547739,"sku":"PH-2385","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/theviewfromabovecover.jpg?v=1737218099"},{"product_id":"fields-of-ireland","title":"Fields of Ireland","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe green, green grass of Ireland is renowned across the world. Join us as we walk through fields dotted with sheep and divided by dry-stone walls. 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