{"title":"Monographs \u0026 Artists' Books - Photo Museum Ireland","description":"\u003cp data-start=\"0\" data-end=\"508\"\u003eMonographs \u0026amp; Artists’ Books at \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePhoto Museum Ireland\u003c\/span\u003e\u003c\/span\u003e brings together a carefully curated selection of contemporary photobooks, artist publications, rare editions, signed copies, and independently produced works by Irish and international photographers. Reflecting the museum’s commitment to supporting photographic practice and publishing culture, the collection spans documentary photography, conceptual practice, portraiture, landscape, experimental image-making, and artist-led publishing.\u003c\/p\u003e\n\u003cp data-start=\"510\" data-end=\"924\"\u003eFrom landmark titles by internationally recognised photographers to small-run independent publications and emerging voices, these books are selected for their visual quality, thoughtful design, and contribution to contemporary photographic culture. Many titles are produced by artists, independent publishers, and small presses, highlighting the photobook as both an artistic medium and an object in its own right.\u003c\/p\u003e\n\u003cp data-start=\"926\" data-end=\"1130\"\u003eThe collection regularly includes signed editions, rare and out-of-print titles, exhibition catalogues, artist multiples, and special releases connected to Photo Museum Ireland exhibitions and programmes.\u003c\/p\u003e\n\u003cp data-start=\"1132\" data-end=\"1274\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eEvery purchase supports Ireland’s national centre for contemporary photography, supporting photographers and photographic practice since 1978.\u003c\/p\u003e","products":[{"product_id":"one-by-eamonn-doyle","title":"ONE by Eamonn Doyle","description":"\u003cp\u003eNumber One in a new series of publications by Eamonn Doyle who started printing the contact sheets for this project in our photographers darkroom during last year. Edition of 300, signed and Numbered. 70 x 50 cm \/ endorse folder to 35 x 50 cm ,24 images, Printed double black on Munken Print Cream, 115gsm with screen-printed cover. \u003cem\u003eOne\u003c\/em\u003e features images from a recently made collection of unique, bespoke-process, large format, gelatin silver contact prints.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":41302381854883,"sku":"GA-SI-0984","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/emonn-doyle-one.png?v=1763738305"},{"product_id":"local-by-pete-smyth-with-limited-edition-horse-print","title":"Local by Pete Smyth, with limited edition Horse print","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eSpecial edition 2 now available. (Special edition 1 has sold out)\u003c\/b\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePhoto Museum Ireland\u003c\/strong\u003e is delighted to publish a retrospective book by photographer \u003cstrong data-mce-fragment=\"1\"\u003ePete Smyth\u003c\/strong\u003e featuring work from his extensive photography project documenting aspects of life in \u003cstrong data-mce-fragment=\"1\"\u003eTallaght\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eWest Dublin\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eLOCAL\u003c\/strong\u003e invites us into a forgotten corner of contemporary Ireland – \u003cstrong\u003eTallaght\u003c\/strong\u003e, on the periphery of \u003cstrong\u003eDublin \u003c\/strong\u003e– where Pete Smyth has lived and worked for over thirty years. Smyth’s uniquely intimate account captures the richness and humour of a community at the frontline of Ireland’s rapid modernization. His approach is deeply affectionate, but without sentimentality, inviting us into private spaces, moments of quiet drama – and some wild nights in his local, the \u003cstrong\u003eKillinarden\u003c\/strong\u003e House pub.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA bittersweet celebration of a community, and a soulful exploration of our universal need to belong,\u003cstrong\u003e LOCAL\u003c\/strong\u003e adds a vital and previously neglected point of view to the canon of \u003cstrong\u003eIrish photography.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/IMG_7700-1125x1500_480x480.jpg?v=1658920940\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003ePete Smyth signing limited edition prints\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Pete1-2_480x480.jpg?v=1658920995\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist Pete Smyth singing special edition of LOCAL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eOne of Ireland’s leading socially engaged photographers, Smyth has lived and worked in the area for over 30 years, producing in that time a uniquely intimate account of the place and its people. Aware of the complexities of his dual role of observer and participant, Smyth’s close, personal engagement with his subjects is visible throughout. The exhibition also reflects his political concerns and experiences as a community arts worker and social activist. \u003cstrong\u003eSmyth’s\u003c\/strong\u003e unsentimental representation of \u003cstrong\u003eTallaght\u003c\/strong\u003e and its people makes visible the social and physical transformation the area has undergone from a socially deprived outlying suburb to an urban centre with a strong sense of community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/DSC00012-1500x1000-2_480x480.jpg?v=1658921070\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtists Pete Smyth \u0026amp; Ken Grant in conversation at LOCAL event launch\u003c\/span\u003e\u003c\/p\u003e","brand":"Gallery of Photography Ireland","offers":[{"title":"Default Title","offer_id":41310930665635,"sku":"GA-HA-0985","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/product-image-bg.png?v=1763902709"},{"product_id":"anywhere-please-by-padraig-murphy","title":"Anywhere Please!, Padraig Murphy (Signed)","description":"","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":42235284324515,"sku":"PH-PH-0993","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/anywhere-please.png?v=1763741862"},{"product_id":"tomorrow-is-sunday-by-miriam-o-connor","title":"Tomorrow is Sunday by Miriam O'Connor","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e‘Following the death of my brother Jerome, I returned home to be with my mother and sister and to help run the family farm. That was in 2013, and since then, against the backdrop of everyday farming life, photography and my relationship to it has taken many twists and turns. In the beginning, I welcomed it for its ability to help me navigate the chaos of intense grief. Later, I resented it for making light of or romanticising such a tragic period in my life, in our lives. Sometime later, I surmised that if photography was going to make things better, or serve any function at all, then it had better be put to work. \u003c\/p\u003e\n\u003cp\u003eChanging course, I began to use photography in conjunction with routine farm tasks. I embarked on a series of self-portraits over an entire farming year. I made lists. I wrote stories. I compiled inventories of animals, rocks, water troughs, stakes and gates. I assembled these photographs into small logbooks which acted like micro manuals for survival. I became obsessed with a tree which, over time, became a huge source of comfort, a place that I consistently returned to time and time again when I was trying to find my way.  \u003c\/p\u003e\n\u003cp\u003eTomorrow is Sunday is the sum of all of these paths. This book represents an attempt to make sense of that time. It is my way of acknowledging the complexities of grief and the magnitude of navigating a way through this life-changing event’ (Miriam\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMiriam O’Connor\u003c\/strong\u003e is from Cork and was educated at Technological University, Dublin and later completed a Research Masters at Dun Laoghaire Institute of Art Design \u0026amp; Technology, Dublin (2011). Her work has been featured in magazines including; Camera Austria, Source Photographic Review, The New York Times and The Guardian. Recent exhibitions include, newly commissioned work \u003cem\u003eIsla Blue\u003c\/em\u003e for Active Archive – Slow Institution – The Long Goodbye at Project Arts Centre, Dublin (2019) and works in \u003cem\u003eThe Parted Veil \u003c\/em\u003eat The Lewis Glucksman, Cork (2019). In 2018 she exhibited in \u003cem\u003eInteriors and Other Landscapes\u003c\/em\u003e, Sternview Gallery, Cork, \u003cem\u003eRHA Annual Open\u003c\/em\u003e, Dublin and in \u003cem\u003eEncountering The Land\u003c\/em\u003e at VISUAL, Carlow. In conjunction with Galleri Image, Denmark, she was commissioned to produce new work for \u003cem\u003eFRESH EYES – International Artists Rethink Aarhus\u003c\/em\u003e, which was exhibited during Aarhus Capital of Culture, 2017. In the same year her work was part of a touring show \u003cem\u003ePost-Picturesque: Photographing Ireland\u003c\/em\u003e at Rochester Arts Center and the Perlman Teaching Museum, USA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis project has been supported by Cork County Council (2017), The Arts Council of Ireland (2018), Creative Europe Cooperation Project “A Woman’s Work” (2020) and Gallery of Photography Ireland (2020).\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":42396514779299,"sku":"PH-HA-0997","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/uewuhbwiubwe.png?v=1763906563"},{"product_id":"my-dublin-1963-my-dubliners-2020-special-edition-by-alen-macweeney","title":"My Dublin 1963, My Dubliners 2020, Alen MacWeeney (Special Edition)","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eIn September 1962 Irish photographer Alen MacWeeney returned to Dublin from a year in New York, working for the acclaimed photographer Richard Avedon. Equipped with a 35mm Leica camera, he went onto the streets of the city to engage with life directly as he saw it. Almost 60 years later, during the pandemic lockdowns and isolation of 2020, that we all experienced, MacWeeney’s photographs of Dublin 1963 were shared by his partner, Pesya, with a group of online Dubliners.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe result was a virtual explosion. An instantaneous torrent of observations, comments and opinions filled the screen. As more photographs were posted, the online community scrutinised every incidental detail. Responses bristled with Dublin humour. The people and locations that MacWeeney had captured were recognised and disputed. Discussions and recollections drew in multiple participants, the online exchanges eliciting wonder, incredulity, nostalgia, warmth – and sometimes anger. This previously unseen series of photographs had come to life again in the unexpected confinement of a pandemic to grace a multitude of new lives through a bond of shared interest and humanity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow all photographs in the series have been published with a selection of these online comments by the community in a book by Alen MacWeeney entitled, My Dublin 1963, My Dubliners 2020. The book is about the power of photography in creating a conversation that unites the community, and transports the viewer back to another life. It is local history. It is about life in a Dublin of the past being brought back into the present in 2020 by today’s Dubliners, “straight from the horse’s mouth”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor MacWeeney, “Reading the reaction of Dubliners in lockdown to seeing the people or places they knew as children, – mothers and fathers, relations and friends, coming or going to work, playing in the streets, or on a date, waiting for the bus, or just being there as I was at the time, was electrifying; a pure joy to read their responses.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Alen MacWeeney Archive is held by University College Cork.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/libguides.ucc.ie\/alen_macweeney\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Lilliput Press","offers":[{"title":"Default Title","offer_id":42396534079651,"sku":"TH-HA-1013","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/dublinphotographcover.png?v=1749222247"},{"product_id":"beasts-of-burden-by-paul-seawright","title":"Beasts of Burden, Paul Seawright","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eDuring the Rwandan genocide of 1994, members of the Hutu ethnic majority in the east-central African nation of Rwanda murdered an estimated one million people, mostly of the Tutsi minority in just 100 days.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStarted by Hutu nationalists in the capital of Kigali, the genocide spread throughout the country with shocking speed and brutality, as ordinary citizens were incited by local officials and the Hutu Power government to take up arms against their neighbors.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e25 years after the genocide a unique initiative pairs perpetrators with their victims. Together they raise a cow in an effort to reconcile and develop a sustainable future.\u003c\/p\u003e","brand":"Strzelecki Books","offers":[{"title":"Default Title","offer_id":42396535357603,"sku":"ST-HA-1017","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Untitled-1_e8887128-cbe9-4ffa-bee2-567431184d01.png?v=1763742249"},{"product_id":"the-ballad-of-sexual-dependency-by-nan-goldin","title":"The Ballad of Sexual Dependency, Nan Goldin","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst published in 1986, Nan Goldin's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Sexual Dependency\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a visual diary chronicling the struggles for intimacy and understanding among the friends and lovers whom Goldin describes as her \u003c\/span\u003e\u003cq data-mce-fragment=\"1\"\u003etribe.\u003c\/q\u003e\u003cspan data-mce-fragment=\"1\"\u003e These photographs described a lifestyle that was visceral, charged and seething with a raw appetite for living, and the book soon became the swan song for an era that reached its peak in the early 1980s. Twenty-five years later, Goldin's lush colour photography and candid style still demand that the viewer encounter their profound intensity head-on. As she writes: \u003c\/span\u003e\u003cq data-mce-fragment=\"1\"\u003eReal memory, which these pictures trigger, is an invocation of the color, smell, sound and physical presence, the density and flavour of life.\u003c\/q\u003e\u003cspan data-mce-fragment=\"1\"\u003e Through an accurate and detailed record of Goldin's life, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Sexual Dependency\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e records a personal odyssey as well as a more universal understanding of the different languages men and women speak. The book's influence on photography and other aesthetic realms has continued to grow, making it a classic of contemporary photography. This anniversary edition features all-new image separations produced using state-of-the-art technologies and specially prepared reproduction files, which offer a lush, immersive experience of this touchstone monograph.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42396536864931,"sku":"AP-PH-1035","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/balladofsexualdependency.jpg?v=1677161722"},{"product_id":"k-by-eamonn-doyle","title":"K by Eamonn Doyle","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn his Dublin trilogy (i, ON and End.) Eamonn captured the combined actions of the city and its population as they played out in front of him. With K, he moves away from the urban east coast to the western Atlantic edge of Ireland, to a landscape that, in places, appears out of time, a parallel world untouched by human presence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough the intense colour images of K, we follow a figure that shape-shifts as it travels across this landscape. Entirely veiled in cloth, the figure is spectral, changing in colour and materiality as it is pushed and pulled by gravity, wind, water and light. In places it appears almost gaseous, in others it is molten and then, at times, the weight of being earthbound becomes apparent. Accompanying these colour images, K includes a number of dense black and white photographs that appear to describe some kind of seismic evidence.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePrinted on a number of pages in the book are stratified layers of hand-written letters from a mother to her dead son. Eamonn’s brother, Ciarán, died suddenly at age 33 in 1999. His mother, Kathryn, never managed to escape the grief of such a time-reversed event, right up until her own death in 2017. In the letters, we can make out a word here and there, but the cumulative effect is their appearance as musical notation, a veil of sound waves, a phonetic score for lament.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWorking with a 1951 recording of an Irish Keen, musician David Donohoe has composed a new, two-part piece for voice that accompanies this body of work for exhibition, and is included in the book as a 10″ vinyl record. This layered and ever-changing composition forms an integral part of our experience of K, relating directly to it in both form and expression. The Keen (or Cine, from the Irish caoinim, “I wail”) is an ancient Irish tradition of lamentation songs for the dead, to carry their spirit over to the other side and to act as a cathartic expression of grief for those gathered around. Traditionally Keens are performed directly over the body of the deceased by women. In some of the images of K, the contorted and wind-blown shapes of the figure and cloth seem to take on the form of the wailing sound itself.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith his Dublin work, Eamonn looks at how the contemporary forces of the city and the movement of its people continually shape each other. In K, he seeks out the primal, even primordial, forces that have sculpted and driven us into being.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe cruelty of the speed of light is that we can only ever look back in time. The further we look out, the further back in time we see. But this does bring the past into the present as we attempt to understand, even though sometimes we just cannot. This is as true of a photograph taken on the streets of Dublin as it is of one taken of plasma clouds in distant galaxies. And we can only comprehend any of this by passing through the vibrations of time, like a song cast out to the cosmos.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"up-sells upsells products\" data-mce-fragment=\"1\"\u003e\u003c\/section\u003e","brand":"Self","offers":[{"title":"Default Title","offer_id":42396536963235,"sku":"SE-HA-1037","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/K_EAMONDOYLE.jpg?v=1676031724"},{"product_id":"fire-s-love-song-by-enda-bowe","title":"Love's Fire Song, Enda Bowe (Signed)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBelfast is a city segregated and divided: its so-called peace walls , built to separate Unionist and Nationalist communities, are taller in places even than the Berlin Wall. For his current project, 'Love's Fire Song', Enda photographed youth culture on either side of the peace walls, choosing the symbolic bonfires of the 12th July and 8th August as his starting point. Rather than the expected images, laden with political and religious imagery, he concentrated on the ordinary, the everyday. The photographs are shown as a coherent series, using a muted colour palette with only subtle symbolisms, and without reference to the specific locations they were taken. Free from political and geographical context, the photographs speak of longing, yearning, aspirations and vulnerabilities of young people in Belfast today; their myriad joys and sorrows; lingering on the moments that can resonate with us all, independent of our individual backgrounds and inherited place and beliefs. \u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Swallow","offers":[{"title":"Default Title","offer_id":42396541092003,"sku":"BL-PA-1061","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/endabowe.png?v=1763915426"},{"product_id":"holy-pictures-special-edition-by-tony-murray","title":"Holy Pictures -Special Edition with darkroom print by Tony Murray","description":"\u003cp\u003eHOLY PICTURES\u003c\/p\u003e\n\u003cp class=\"\"\u003eTony Murray\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHoly Pictures\u003c\/em\u003e captures the last vestiges of popular devotional practices once widespread in Ireland. Tony Murray’s vivid images from the late 1970s and early 1980s are a compelling record of an aspect of Irish life that has largely disappeared. By turns poignant and surreal, the photographs depict pilgrims, devotees and true believers against the backdrop of a changing Ireland. An introduction by historian Daithí Ó Corráin and interview by photo historian Orla Fitzpatrick place these important images in context.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eAuthor:\u003c\/strong\u003e\u003cspan\u003e Tony Murray\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eForeword:\u003c\/strong\u003e\u003cspan\u003e Daithí Ó Corráin\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e\u003cspan\u003e 978-0-9569493-9-4\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e\u003cspan\u003e Hardback, 263 x 246mm, landscape, 150gsm paper\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eExtent:\u003c\/strong\u003e\u003cspan\u003e 208 pages with 156 duotone and 9 colour photographs\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e\u003cspan\u003e 300 copies\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003cspan\u003e 1.5kg\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePublished:\u003c\/strong\u003e\u003cspan\u003e April 2020\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDesign:\u003c\/strong\u003e\u003cspan\u003e Niall McCormack\u003c\/span\u003e\u003c\/p\u003e","brand":"Hi Tone Books","offers":[{"title":"Default Title","offer_id":42396541649059,"sku":"HI-PH-1076","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/holypictures.jpg?v=1676033640"},{"product_id":"project-cleansweep-by-dara-mcgrath","title":"Project Cleansweep, Dara McGrath","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"The project explores the sites that were used in the manufacture, testing, storage and disposal of these weapons beyond the Post-Military Landscape of the United Kingdom Taking its name from a Ministry of Defence investigation issued in 2011, that assessed the risk of residual contamination at sites in the United Kingdom used in the manufacture, storage, and disposal of chemical weapons from World War I to the present day. Looking beyond the risk assessment to the ways that landscapes are psychologically charged by their history. Examining the sites of the official investigation and many more including sites used for both chemical and biological weapons activities during the Cold War. Following traces that lead, predictably, to military bases and government facilities and, more surprisingly, to grocery stores and holiday parks.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe images take us into a journey along the country lanes of Dorset and Devon, the Peak District, the woodlands of Yorkshire and out across the open rolling countryside of the Salisbury Plain, all the way from the coastlines of East Anglia, the West Counties and Wales to the remote Scottish Highlands and the Irish Sea. When over 4,000 sq km of the landmass was appropriated for military use in the 20th century. Marking the influence of military activities upon British landscapes and provoking deeper consideration of their lasting social and environmental impacts. Locating unexpected vistas that challenge conventional understandings of place. They also remind us that war is domestic, one that employs thousands of people in production processes that are surely akin to activities in other contemporary industries. As we recognise the inheritances of the past, the places pictured here become interstitial; they seem to exist between past and present, public and private, civilian and military. Here, too, the pastoral myths of the bucolic British landscape — of simple nature, a golden past — are disrupted by material realities embedded in the landscape itself. As we contemplate these images, our perspectives shift, and yet a different kind of beauty persists.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eMy central concern lies in exploring transitional spaces, those in-between places where architecture, landscape and the built environment often intersect, and where a dialogue – of absence rather than presence – is created. My practice is driven by explorations of these charged, shifting entities – buildings that have come to the end of their functionality, the changing functionality of a landscape, human interruptions in the landscape – that exist in urban, rural and suburban contexts.\" (Words by Dara McGrath)\u003c\/p\u003e","brand":"Kehrer Verlag","offers":[{"title":"Default Title","offer_id":42396542337187,"sku":"KE-HA-1094","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/project.jpg?v=1676634780"},{"product_id":"delta-by-hannah-modigh","title":"Delta, Hannah Modigh","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" align=\"justify\"\u003e\"My grandmother was 100 years old when she died, soon after that my child was born. The feeling that death is replaced with life became palpable. Got me thinking about how we float like a delta. Some branches continue, some stops.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" align=\"justify\"\u003eI’m looking for imprints that depict the presence of an absence. The things we bring with us and the things we leave behind when we die. I have photographed objects and paths that have a sense of rituals. Rituals and traditions are inherited, and we teach our children them. I have looked for imprint that indicating that life is about to break through, and where the end of a life makes itself felt.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" align=\"justify\"\u003eI want to show everyday situations that are enshrouded in an awareness of death. I have followed childbirth and death in my own family and others I have met during the last years. It’s not about individuals or places without fragmentary images to illustrate the feeling that everyone is part of a root system and the images are symbols of an involvement. I like when things happen or have happened outside the image. Impressions in the image showing the presence of an absence. Tracks in the picture show an earlier event but leave a mystery over it. With a subtle language where what’s happening is beneath the surface. As surface tension ready to crack or get stuck in a glass cup. Questions that may not have answers. This is a series about time, trying to photograph time.\" (Words by Hannah Modigh)\u003c\/p\u003e","brand":"Éditions Bessard","offers":[{"title":"Default Title","offer_id":42396543287459,"sku":"ÉD-HA-1117","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/delta.jpg?v=1676043377"},{"product_id":"pillars-of-home-by-csilla-klenyanszki","title":"Pillars of Home by Csilla Klenyánszki","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor the series entitled ‘Pillars of Home’, visual artist Csilla Klenyánszki built 98 sculptures that reach from the floor to the ceiling using everyday objects found in her apartment. The temporary installations are of different scales and their level of complexity is also varied. The carefully arranged objects balance each other, seemingly about to collapse at any moment. The delicate sculptures, hastily constructed during her son’s nap, somehow balance on the border between the virtual world and reality. They spring up everywhere in her home – the living room, kitchen, bedroom, and even the staircase – existing in what became a temporary studio for no more than 30 minutes at a time.\u003c\/span\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":42396543385763,"sku":"SE-HA-1119","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/pillarsofhome.jpg?v=1676034801"},{"product_id":"fifty-high-seasons-by-shane-lynam","title":"Fifty High Seasons by Shane Lynam","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 1963, President de Gaulle initiated a regional development plan known as ‘Mission Racine', to develop a wild and windy stretch of French coastline between Montpellier and Perpignan into a series of resorts. Avant-garde architects were hired to construct unique and unusual spaces which would be responsive to the local environment and focused on the individual. Although the project provided a new source of income locally, Mission Racine was not only about enriching the region. It included an 18% quota of social housing to allow more French citizens to take advantage of their time off work. It would become an alternative to the expensive Cote d’Azur without the high rise excesses of similar developments further south in Spain. \u003cbr\u003e\u003cbr\u003e\"Fifty High Seasons' reflects on the cumulative effect of half a century of tourism on the innovative built environment established by Mission Racine, while showing why I fell for its unique charm.\" (Words by Shane Lynam)\u003c\/span\u003e\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":42396544860323,"sku":"SE-HA-1152","price":49.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/shabe_lynam.jpg?v=1676042018"},{"product_id":"catharsis-by-linda-zhengova","title":"Catharsis by Linda Zhengová","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the book:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFollowing her academic research, The Ambiguity of Visual Representations of Trauma, Zhengová now brings to the forefront a visual analysis in the form of a photobook - Catharsis. Concerned with the question: “how can one represent something visually that is by its very essence unrepresentable without banalizing it, trivializing it, spectacularizing it, and finally repressing it for a second time?”, she presents both archival and newly created imagery to address such problematics.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eCatharsis prioritizes a lived experience and explores traumatic memory not from the perspective of moral and medical classifications but instead, as an open artistic inquiry. As such, this publication is concerned with the connections between photography and trauma, between unutterable shock and the most elevated or supreme form of human communication and representation, between traumatic non-experience and aesthetic experience.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAbout the artist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLinda Zhengová is a Czech photographer and writer currently based in the Netherlands. In 2019, she\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003egraduated with MA in Media Studies (specialization in Film and Photographic Studies) at Leiden University with distinction (cum laude). Recently, she finished her Photography BA at the Royal Academy of Art in The Hague. Zhengová uses the medium of photography to challenge the existing boundaries and taboos surrounding the themes of gender, sexuality, and trauma.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eShe has been selected as a GUP New 2021 and Fresh Eyes 2020 talent. Her previous collaborative publication with Alex Blanco (Nothing will be the Same) was nominated for the Zilveren Camera Storytelling Prize.\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":42396549578915,"sku":"SE-PA-1187","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/catharsis.jpg?v=1676040054"},{"product_id":"above-the-fold-by-noel-bowler","title":"Above the Fold, Noel Bowler (First Edition)","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e'Above The Fold' is a series of photographs taken in some of the most respected and recognised newspaper newsrooms from around the world. Made over a six year period and working together with a cross section of some of the largest newspapers (by paid circulation) from around the world, these photographs will take the viewer on a journey through decades of human interaction that has helped to form the foundation of the press as we know it today. The work of the newspaper and journalism movement has never been so relevant for so many throughout the world. This timely work continues my ongoing consideration of the political forces that shape our world and the importance in sustaining the foundation of a free and trustworthy press.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEver since the rapid increase in literacy rates during the 19th century, newspapers have been inextricably associated with the development of modern society through the production of political meta-narratives, the dissemination of information and the framing of debate. With declining readership, reduced advertising and persistent questions about “truth” and relevance, the structures of print media are in a state of flux. Unlike the multifaceted and dispersed nature of online news media, the physical spaces of the newspaper office has been shaped by many years of evolution, adaptation and work practices that straddle both public-interest rationales and commercial objectives.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis project reinforces the importance that people have played in the role of print news media and acts as a reminder of both the importance and relevance of the journalist. These photographs offer us a glimpse into the places where the decisions and policies that affect so many are created. While these places may be separated by geography, culture and politics, they are all inherently linked by one fundamental attribute; the commitment to inform, educate and reinforce the importance of a free and honest press.\u003c\/p\u003e\n\u003csection class=\"related products\" data-mce-fragment=\"1\"\u003e\u003c\/section\u003e","brand":"Rare Editions","offers":[{"title":"Default Title","offer_id":42396549808291,"sku":"RA-HA-1192","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/abovethefold.jpg?v=1676039903"},{"product_id":"of-bounds-by-bernadette-keating","title":"Of Bounds by Bernadette Keating","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan class=\"gmail-s1\" data-mce-fragment=\"1\"\u003eOf Bounds, which includes an essay by the artist, combines two works that focus on land reform, borders, and the design of space. ‘Líne’, a series of colour photographs shot over a number of years, explores the reinforced hedge boundary of a small farm in Ireland where Keating grew up. The text-based series, ‘Not all battlecries are meant to be heard’, is a collection of slogans taken from annual reports and social media platforms that have been engraved on steel plates; photographed in a gallery setting, each recontextualises the values and visions of corporate landowners. The juxtaposition of the two works emphasises the temporal nature of a world always in flux and the ongoing efforts to control it.\u003cspan class=\"gmail-Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lubok Verlag","offers":[{"title":"Default Title","offer_id":42732370657443,"sku":"LU-PA-1600","price":22.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/Ofbounds.jpg?v=1670416057"},{"product_id":"next-exit-by-liam-murphy","title":"Next Exit by Liam Murphy (Signed)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpice boxes. Pilot training schools. Otters. God.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIreland’s roadsides are home to a shifting population of mad, bad, unauthorised advertisements.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSome are temporarily rolled into fields on trailers, ready for a quick getaway when necessary. Others take up more permanent residence where a visual gap appears. Their design is clunky; typography brash, and the offers are over-hyped. Sun-bleached, rainbeaten and non-conformist, they frequently form bizarre interactions with the landscape around them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNext Exit goes on the trail of these highwaymen: the signs that appear along motorways and countryside detours, alerting drivers to the possibility of reptiles, salvation or alternative sustenance ahead. All images were shot on expired film, leading to unexpected effects like colour shifts, fogging and increased grain, all of which felt appropriate to the subject matter.\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":42816393412771,"sku":"SE-PA-1611","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/next.jpg?v=1670414668"},{"product_id":"beacons-daragh-muldowney","title":"Beacons, Daragh Muldowney","description":"\u003cp\u003e\u003cspan\u003e'Beacons' is a series of images from Lake Baikal in Siberia documenting the surreal ice road system that guides travellers across the vast frozen expanse of the largest freshwater lake on the planet.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLake Baikal in Siberia is the oldest and largest freshwater lake on the planet. In winter, temperatures drop as low as -40°C and the lake becomes a vast frozen plain. Crossing the lake can be a hazardous journey as the ice comes under huge pressure causing it to either break apart exposing the frigid water below or crush together creating large jagged hummocks. To help travellers across the ice, the locals mark out an ice road by drilling holes and ‘planting’ small pine trees that act as markers, ‘beacons’ guiding the way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"et_pb_module et_pb_wc_description et_pb_wc_description_0 et_pb_bg_layout_light  et_pb_text_align_left\"\u003e\n\u003cdiv class=\"et_pb_module_inner\"\u003e\n\u003cp\u003eCaptivated by the surreal beauty of these beacons, award winning Irish photographer Daragh Muldowney returned to Lake Baikal over three winters in the hope of documenting them. Their organic forms emerging from the mist or appearing unexpectedly on the distant horizon, each tree is a benign presence in an otherwise barren world, offering hope and safe passage.\u003c\/p\u003e\n\u003cp\u003eBeacons is a new photobook and exhibition which celebrates the small pine trees found along the ice roads of Lake Baikal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSanctuary\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSigns along the way\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach one perfectly placed\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGuiding like Beacons\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTo be lost and then returned\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThat is pure sanctuary\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003e\u003cspan\u003eDúlra – Irish for Nature’s Elements\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“I believe in Nature’s healing power. My aim, through my photography is to bring you closer to nature and for you to feel a sense of peace and calm while viewing my images.” \u003c\/em\u003e\u003c\/span\u003e\u003cspan\u003e– Daragh Muldowney\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDaragh’s interest in photography originally developed, when he completed a Scuba Diving course in 1992, where he was awe struck by the experience of being under water. Life under the sea seemed like another world, where he made an instant connection with the elements.\u003c\/p\u003e\n\u003cp\u003eShortly after Daragh bought a Canon camera, a thirty year old model he still uses occasionally, and began to take photographs to convey his experiences and love of nature. Without the use of artificial light or filters, his photography aims to present the smaller details of nature that we often overlook. As a result, his work gently reminds us to appreciate our beautiful planet.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003e\u003cem\u003e‘Beacons’ was the winner of the \u003ca href=\"https:\/\/www.photoawards.com\/winner\/zoom.php?eid=8-187091-20\"\u003eFine Art category of the IPA International Photography Awards 2020\u003c\/a\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Self-Published","offers":[{"title":"Default Title","offer_id":42941641261219,"sku":"SE-HA-1626","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/beacons.jpg?v=1675957453"},{"product_id":"two-by-eamonn-doyle","title":"Two by Eamonn Doyle","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNumber two in a series of publications by Eamonn Doyle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e45 images \/ Printed on Munken Print Cream 18, 115gsm with screen-printed cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCover unfolds out to double sided 90 x 60 cm poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"D1","offers":[{"title":"Default Title","offer_id":42957932691619,"sku":"PH-PH-1629","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/TWO_BOOK.jpg?v=1670414207"},{"product_id":"the-bank-by-michael-boran-michael-durand-and-david-farrell","title":"The Bank, Michael Boran, Michael Durand and David Farrell","description":"\u003cp\u003e\u003cstrong\u003eEach cover variant copy of 'The Bank' is now available in a bundle at the special price of €10.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePublished on the occasion of the exhibition 'THE BANK' at Photo Museum Ireland (formally Gallery of Photography Ireland, 2006)\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThree of Ireland’s leading photographic artists provide a fascinating insight into the world of the CBFSAI from their own individual perspectives. Michael Boran, David Farrell and Michael Durand were selected to participate in the Bank’s 2006 Art Project. Each artist was commissioned to produce a body of work with consideration to any aspect of the Bank; its architecture, location or its social environment. The artists were granted access to all levels of this landmark building and organisation and each took up the challenge in their own way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Michael Boran’s work focuses on the Plaza and steps. It reveals the secret poetry of fleeting moments captured as people go about their everyday business. A man looking in his wallet shows the keepsake snapshot inside. People entering and leaving the building make bold patterns against the steps, playfully mirroring the graphing of economic ascent and descent. Upstairs, an office worker glances away from her computer against a panoramic vista of the city’s changing skyline.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFacts and figures feature prominently in Michael Durand’s engaging series of portraits of Central Bank staff, Statistical Portraits. Durand has portrayed each person with a pile of decommissioned (shredded) money. The size of the pile of cash corresponds to a statistic of the person’s choosing: from €1.45 (the average annual donation to charity by Irish people) to €700,000 (the cost of a new Mercedes Maybach)… The result is a dynamic and exuberant series of portraits where individual personalities are allowed shine through. Durand’s work, which occupies the entire upper gallery, concludes with a site-specific installation made from approximately €2million in decommissioned euro notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e David Farrell presents When a Building Sleeps, a series of photographic prints and video works shot inside the bank after office hours. Farrell deftly sets up a set of relationships – between reflection and reality; interior and exterior; and daytime and nighttime – which are played out over a sixty-minute realtime video piece. Like the building’s suspended floors, the work conveys a sense of weightlessness: the viewer seems to float or hover over the city. Its dreamlike quality is instilled with an underlying sense of surveillance. 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The Western Edge of Europe is a changing world where politics, history and economic hardship have forged the foundations of deeply rooted communities and enriched them with a fluent aural and musical culture. Haughey’s focus on the Great Blasket Island and the depopulated landscapes of western Ireland explores links with the past and vestiges of Irish Culture, and he challenges the populist notion of an Irish cultural Disney Land. Ireland’s Diaspora, the largest single population movement of the 19th century, has created huge global network of people claiming to be of Irish origin. The United States has become a home to millions of Irish people, a symbol of hope and economic freedom to many, whilst retaining unbreakable family ties with their homeland. 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In the last US census, forty million people claimed Irish ancestry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHardback Limited Edition book with \"Belmullet County Mayo\" print, signed and numbered by artist.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43031764041891,"sku":"PH-PH-1646","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/Theedge.jpg?v=1670413899"},{"product_id":"everything-is-possible-by-qingsong-wang","title":"Everything is Possible by Qingsong Wang","description":"\u003cp\u003ePublished on the occasion of the exhibition Everything is Possible in 2015 at the Gallery of Photography Ireland.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eWang Qingsong\u003c\/b\u003e\u003cspan\u003e is a contemporary Chinese artist whose large-format photographs address the rapidly changing society of China. His photographs, appearing at first humorous and ironic, have a much deeper message. Critical of the proliferation of Western consumerism in China, his, \u003c\/span\u003e\u003ci\u003eCompetition\u003c\/i\u003e\u003cspan\u003e (2004), depicts the artist standing with a megaphone in front of a city hall covered in advertisements for brands such as Citibank, Starbucks, and Art Basel. “I think it is very meaningless if an artist only creates art for art's sake,” he said. “I think it would be absurd for an artist to ignore what's going on in society.” Born in 1966 in Heilongjiang Province, China, Wang studied at the Sichuan Academy of Fine Arts. Although he was trained as a painter, Wang began taking photographs in the 1990s as a way to better document the tension of cultural shifts. The artist’s works have been in exhibitions at the Hammer Museum in Los Angeles and the National Gallery of Victoria in Melbourne. Wang currently lives and works in Beijing, China.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43033250922659,"sku":"PH-PH-1650","price":3.5,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/everythingispossiblecover.png?v=1755254317"},{"product_id":"new-order-by-dani-dingeo","title":"New Order by Dani d'Ingeo","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #000000; font-family: arial, sans-serif;\" color=\"#000000\" face=\"arial, sans-serif\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe third release in SMUT'S printed matter series is New Order \u003c\/span\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #000000; font-family: arial, sans-serif;\" color=\"#000000\" face=\"arial, sans-serif\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eby Italian-born London based photographer and filmmaker, Dani d'Ingeo.  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #000000; font-family: arial, sans-serif;\" color=\"#000000\" face=\"arial, sans-serif\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDani is a graduate from the Master’s programme in Photography at London College of Communication (UAL) and their practice of vernacular photography focuses on the queer experience and their work has been featured in i-D, Paper magazine, amongst other publications. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #000000; font-family: arial, sans-serif;\" color=\"#000000\" face=\"arial, sans-serif\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNew Order is their debut book and the third in the printed matter series by SMUT Press (their ongoing project commissioning queer artists to make printed matter.)  The book is a collection of images taken in Southern Italy over the years, exploring themes of queer visibility and friendship.  The photographs are accompanied by an introduction and interview by writer and photographer Gilda Bruno as well as essays by art critics Sean Burns and Giosué Prezioso.  In the words of Bruno, ‘with New Order, the photographer embarks on a symbolic trip that takes them back to Italy — the motherland by whom, as a queer child and teenager, they often felt rejected — to establish a new, renovated connection with their roots.’  The series of pictures depict queer bodies and individuals in rural frameworks, in an attempt to honour existence and belonging beyond the urban and the underground.  According to Burns ‘‘they’re angling at what it means for queerness to be an embodied knowledge and experience that brings about beautiful, meaningful summers, hot friendships, sweaty embraces and late-night sea swims”.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43067617869987,"sku":"PH-PH-1663","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/new_order_book.jpg?v=1668439934"},{"product_id":"what-not-selected-artworks-and-ephemera-1975-96-by-john-carson","title":"What not – selected artworks and ephemera 1975–96 by John Carson","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe outcome of an extensive archiving project began in 2019, this publication traces the activities of Northern Irish artist John Carson and his life and work in Belfast, Los Angeles, London and elsewhere for over twenty years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing a keynote essay by London-based critic and writer Chris Fite-Wassilak, \u003cem data-mce-fragment=\"1\"\u003ewhat not – selected artworks and ephemera 1975–96\u003c\/em\u003e details aspects of Carson’s early and mid-career, and his enthusiastic endeavours to make a socially-orientated art, one encompassing strains of conceptual art, everyday life, the immersive role of popular culture, and a form of storytelling peppered with insightful wit and humour.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBeginning with Carson’s studies in Belfast, documentation and previously unpublished material detail the making of fifteen artworks such as 1977’s \u003cem data-mce-fragment=\"1\"\u003eHilltop Triangle\u003c\/em\u003e, where Carson enlists a local radio DJ to create telepathic contact between three friends. In \u003cem data-mce-fragment=\"1\"\u003eMen of Ireland\u003c\/em\u003e, Carson’s durational performance examines male stereotypes found in the country in 1980, while \u003cem data-mce-fragment=\"1\"\u003eAmerican Medley\u003c\/em\u003e (1981–85) embodies a tour to fifty locations in the United States famed in song. A transcription of 1987’s freewheeling \u003cem data-mce-fragment=\"1\"\u003eOff Pat\u003c\/em\u003e, as presented in song, stories and images in London and elsewhere, prominently features.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43100099739811,"sku":"PH-PH-1676","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/JohnCarson_book.jpg?v=1669648153"},{"product_id":"a-confection-of-photographs-by-nollaig-molloy","title":"A Confection of Photographs by Nollaig Molloy","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"publication__TextContainer-sc-9r0s6f-2 LTAVf\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNollaig Molloy’s \u003cem data-mce-fragment=\"1\"\u003eA Confection of Photographs\u003c\/em\u003einvestigates the assembly of archives and Ireland’s working class histories. Almost one hundred images, each scanned and reproduced from a single storage box found in Carlow County Library, depict the now defunct production of sugar beet. This resource, found by Molloy bunched together inside brown envelopes and pinned with paper clips, encompass moments from the 1920s to early 2000s. Images range from the harvesting of crops, infrastructure development and lives of workers. With an essay by the artist and the incorporation of handwritten notes found alongside these unearthed photographs, a beguiling number of haunting relationships emerge beyond the cogs of industry.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"publication__TextContainer-sc-9r0s6f-2 hLwIuJ\" data-mce-fragment=\"1\"\u003e\u003c\/div\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43100109308067,"sku":"PH-PH-1677","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/a-confection-of-photographs.jpg?v=1730472372"},{"product_id":"her-own-by-dragana-jurisic","title":"HER OWN by Dragana Jurišić - Very Rare","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"sqsrte-small\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Documents Jurisic’s attempt to trace the story of her aunt Gordana, a glamorous figure who left rural Yugoslavia in the 1950s and whose subsequent experiences involving false identities and espionage remain mysterious. Jurisic presents her careful, fruitful research in a series of illustrated notebooks that recall WG Sebald’s approach to memoir, history and reflection.\" (\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/www.irishtimes.com\/culture\/art-and-design\/visual-art\/the-photographer-who-started-when-her-father-stopped-1.2715200\" target=\"_blank\" data-mce-href=\"https:\/\/www.irishtimes.com\/culture\/art-and-design\/visual-art\/the-photographer-who-started-when-her-father-stopped-1.2715200\"\u003e5* review of \u003cem data-mce-fragment=\"1\"\u003eMy Own Exhibition\u003c\/em\u003e in The Irish Times by Aidan Dunne\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"sqsrte-small\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"\u003c\/em\u003ethe latest body of work by Dublin-based photographer Dragana Jurišić, an on-going series comprising five fascinating chapters due to culminate into a fictionalised biography. Combining text and photography, appropriated imagery intermingles ruthlessly with notebook texts, video and performance, across diverse creative processes and narrated through differing voices. Hybrid and complex, \u003cem data-mce-fragment=\"1\"\u003eMy Own Unknown\u003c\/em\u003e defies classification – its overlapping of languages, registers and motifs reflect the eclectic and expansive aesthetic and intellectual world of its author, Dragana Jurišić.\" (\u003ca data-mce-fragment=\"1\" href=\"http:\/\/www.1000wordsmag.com\/dragana-jurisic\/\" target=\"_blank\" data-mce-href=\"http:\/\/www.1000wordsmag.com\/dragana-jurisic\/\"\u003eNatasha Christia for 1000 Words Magazine\u003c\/a\u003e).\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"sqsrte-small\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"sqsrte-small\"\u003eEdition of 670\u003c\/p\u003e","brand":"Dragana Jurišić","offers":[{"title":"Default Title","offer_id":43124967276707,"sku":"PH-PH-1719","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/Herown.jpg?v=1674655560"},{"product_id":"diesel-by-ciaran-dunbar","title":"Diesel, Ciarán Dunbar","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiesel traces the illegal dumping of toxic waste material, commonly referred to as ‘sludge’, by diesel launderers at sites along the Irish border between Counties Louth, Armagh and Down. Agricultural diesel, intended for off-road agricultural use, costs about 50c less per litre than regular car diesel. Agricultural diesel is dyed (green in the South and red in the North) so as to distinguish it from auto diesel. Early dye removal processes involved pouring diesel from an oil drum into an upside down traffic cone filled with nappies which would adsorb the dye. Other methods involved cat litter and more recently acids. In the 1980s and 1990s this border region lost many of its traditional manufacturing industries such as shoemaking (Clarkes), tobacco (PJ Carrolls) and brewing (Harp, McArdle and Moore), and saw the end of railway freight trade. The economic downturn, combined with the impact of the ‘Troubles’, has helped this illegal industry to thrive. The issue of diesel laundering is one that nobody wants to talk about – it is seen as a necessary evil. Diesel laundering provides cheap fuel and creates employment and opportunities in the area. Plant closures, illegal dump-sites and contaminated waterways are reported, but then immediately forgotten. Diesel laundering plants range in size and sophistication, laundering anywhere between 6 and 30 million litres of fuel per year. Between 2008 and 2015, Louth County Council spent €5 million cleaning up 596 dump sites. Apart from the environmental impacts, it was estimated that in 2015 diesel laundering cost the Exchequer approximately €239 million, with the total loss to the national economy in the region of €435 million. \u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43138926411939,"sku":"PH-PH-1720","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/Diesel1.jpg?v=1671115671"},{"product_id":"dublin-streets-by-lorcan-finnegan","title":"Dublin Streets, Lorcan Finnegan","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLorcan’s photographs strive to capture what feels quintessentially Dublin to him, a colourful archive of Dublin life and characters on the streets of the city. The images represent the energy, chaos, loneliness and camaraderie found on our streets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'Dublin Streets’, an ongoing project, was born out of Lorcan’s love for the mini dramas he witnessed unfolding on our streets and the incredible Dublin characters who star in them. The collection of images were taken as Lorcan wandered through the city, with no plan or agenda, capturing candid moments that interested him. This body of work represents a raw and brutally honest portrait of Dublin City with a touch of humour that conveys the charm and personality of the melting pot that are the streets of Dublin.\u003c\/span\u003e\u003c\/p\u003e","brand":"Lovely Productions","offers":[{"title":"Default Title","offer_id":43140650500259,"sku":"PH-1723","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/lorcanfinnegaldublinstreets.jpg?v=1730560995"},{"product_id":"shot-from-all-sides-by-cormac-figgis-signed","title":"Shot From All Sides by Cormac Figgis SIGNED","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSHOT FROM ALL SIDES is Cormac Figgis's first book of live music photography. He's been shooting at gigs, clubs and festivals in Ireland, the UK, and Canada for over fifteen years. This collection of images represents a broad spectrum of bands, including the New York Dolls, The Stooges, Fontaines DC, Sex Pistols, Killing Joke, The Fall, The Residents, Nick Cave, Throbbing Gristle, PiL, Nouvelle Vague, CSS, Tinariwen, Shane Macgowan, Sinead O'Connor, Primal Scream, Al Green, Julian Cope, Cluster, Holy Fuck, Jay Reatard, Unloved, The Specials, Beastie Boys, and many, many more…\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis limited-run book features more than 180 photographs covering 150 gigs, contained within 230 pages.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"This book is a document of passions. A distilled odyssey of dramatic, arousing moments. Rock ’n’ roll isn't just about posturing and glamour. It’s about conviction. You need to believe that the people you’re engaging with are genuine to their cause. Without that, the experience is meaningless.[…] I try to capture moments that express this conviction. When you believe, it makes the posturing and glamour all the more exciting, emotional and powerful.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"italic\" data-mce-fragment=\"1\"\u003eCormac Figgis\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"These are photos from the frontline, photos that tell you everything about performance and rock ‘n’ roll, that capture the coiled snake energy of the form. Cormac understands the power of performance and is deeply immersed in the sound and fury. Without that understanding you have snapshots, but with it you have art and danger.[…] Only someone steeped in the dark stuff, obsessed with the dark energy and full of the dark matter can do this.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan class=\"italic\" data-mce-fragment=\"1\"\u003eJohn Robb — Journalist, Author, Songwriter, TV pundit\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"texteditor-inline-color\" data-mce-fragment=\"1\"\u003e\"White powdery skin against eternal dark. It’s Jaz Coleman from Killing Joke – the shot is angled and close up and he looks reptilian.[…] [\u003c\/span\u003e\u003cspan class=\"texteditor-inline-color\" data-mce-fragment=\"1\"\u003eThe artists] all perform in limbo, protruding from the thick black soup of dark. [The] subjects are plucked out, isolated, abducted from the band that is their powerhouse. 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Figgis traps a snap of vision that is to the performer’s overall appearance what a snip of sound wave is to their tune.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"texteditor-inline-color\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"italic\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Flemming, Irish Times\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43169068449955,"sku":"PH-PH-1728","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/shotfromallsides.jpg?v=1673004854"},{"product_id":"crossing-by-dorothy-cross","title":"Crossing by Dorothy Cross","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCrossing \u003c\/em\u003eby artist Dorothy Cross is a visual retrospective spanning over 35 years of her work as one of Ireland’s leading artists. The book includes a foreword by \u003cem data-mce-fragment=\"1\"\u003eEdna O’Brien, \u003c\/em\u003eessays by \u003cem data-mce-fragment=\"1\"\u003ePhilip Hoare\u003c\/em\u003e, \u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDoireann Ní Ghríofa \u003c\/span\u003e\u003c\/em\u003eand \u003cem data-mce-fragment=\"1\"\u003eDeclan Long. \u003c\/em\u003eIn hardback, and beautifully illustrated with over 125 photographs of the artist’s work, \u003cem data-mce-fragment=\"1\"\u003eCrossing\u003c\/em\u003e has an initial print run of 1,000 copies and is also available in a Limited Edition of 40 copies with a slipcase and an original signed print from the book. A Collectors Edition of 12 copies will also be available and will include a slipcase, an original signed print and a specially commissioned work by the artist entitled \u003cem data-mce-fragment=\"1\"\u003eMollusc\u003c\/em\u003e cast in solid silver.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eCrossing \u003c\/em\u003elooks at the various strands that connect and weave their way through her career, from her earliest works in the ‘90s to her latest exhibition ‘Damascus Rose’ at the Frith Street Gallery, in London 2022.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“In some ways this book is about what is not here. The chosen works are extricated from the choreography of their first showing – selected from over thirty years of exhibitions where they held roles amongst a cast of characters. In this book, new relationships are formed by reimagining their original scenarios and allowing works that had formerly never met to cross paths. All works attempt to make sacred: from a walrus hair on a thimble to a meteorite nestling in the crown of a gilded human skull. Life and work are inextricable, both being an attempt to sing in outer space, knowing one can only imagine the sound.” -\u003cspan data-mce-fragment=\"1\"\u003e  \u003c\/span\u003eDorothy Cross.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince 1983 Dorothy Cross has worked in sculpture, film, opera and photography and is represented by Kerlin Gallery, Dublin, and Frith Street Gallery, London.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe is the recipient of international awards and her work is housed in major collections both public and private worldwide. She has represented Ireland at the Venice Biennale, the Istanbul Biennale and the Liverpool Biennale. Well known works include \u003cem data-mce-fragment=\"1\"\u003eVirgin Shroud \u003c\/em\u003e(Tate Gallery, London, 1993), \u003cem data-mce-fragment=\"1\"\u003eGhostship \u003c\/em\u003e(1999) a non permanent work where a decommissioned lightship was painted in phosphorescent paint and \u003cem data-mce-fragment=\"1\"\u003eShark Heart Submarine \u003c\/em\u003e(Collection National Gallery of Ireland, 2011) where a model submarine sits cradled on a 19th century painter’s easel gilded in white gold with the heart of a shark hidden within.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43169258569891,"sku":"PH-PH-1739","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/crossing.jpg?v=1673015166"},{"product_id":"before-during-after-almost-by-david-farrell","title":"Before During After Almost... by David Farrell","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe RHA approached David Farrell to collaborate on a project to coincide with the 1916 Rising centennial commemorations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e”As a photographer of ‘the real world’ I am compelled to engage with the necessary ritual of placing myself in front of my subject\/object and dealing with the vagaries of light and mood. This for me, of late, has been deeply rooted in the landscape wherein I excavate specific landscapes with photography and time. This usually involves a process of visiting and revisiting small areas over prolonged periods. I try to carry in my pockets small seeds of emotional and conceptual intelligence that, on good days, manage to make a connection with what is around me. My quest is a series of what I consider as ‘elusive’ rather than ‘decisive’ ‘moments’ – a dialogue between myself and what chooses to be photographed. Often, there is a wider political framework but it can be purely personal or if I am really lucky, both.”\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43173950029987,"sku":"PH-PH-1774","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/beforeduring.jpg?v=1673278956"},{"product_id":"feel-me-im-here-with-you-by-jordan-hearns","title":"Feel Me, I'm Here With You by Jordan Hearns","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan color=\"#000000\" face=\"arial, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe second release in SMUT'S printed matter series, ‘Feel Me, I’m Here With You’ is a romantic chronicle composed of recent photographic works produced over the past twelve months, shot between London, Dublin and Paris. A deeply personal work, this project sees Jordan examine a burgeoning relationship, and serves as a new avenue for his work, one that explores his sense of self, his recent lived experience and newfound locale(s).⁣⁣⁣\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan color=\"#000000\" face=\"arial, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e⁣\u003c\/span\u003e\u003c\/span\u003e\u003cspan color=\"#000000\" face=\"arial, sans-serif\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJordan is a recent graduate of the Fine Art photography department from the Technological University Dublin and was a recipient of the 2022 Graduate Development Award with the Gallery of Photography in Dublin.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003ePublished by SMUT Press\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 80\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003eSoftcover\u003cbr data-mce-fragment=\"1\"\u003e20 pages\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43173953896611,"sku":"PH-PH-1775","price":12.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/jordanHearns.jpg?v=1673279447"},{"product_id":"no-country-for-young-men-by-martin-seeds","title":"No Country for Young Men, Martin Seeds","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAppropriated from a Belfast School Year book circa 1965-66, these portraits depict youths on the cusp of adulthood during a time of great upheaval in the province.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Civil Rights movement was very active in the 1960s. Protests had taken place about the unfair of voting practices, the allocation of public housing and discriminatory employment practices. There was bigoted resistance to this peaceful campaign for equality. Resistance that fanned the embers of old sectarian narratives and twisted them into a violent response. Halfway through 1966 there were sectarian murders.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e'No Country for Young Men' has been titled after William Butler Yeats' poem 'Sailing to Byzantium', 1928.  Yeats, the poems narrator, laments his leaving of Ireland because he feels out of place there. The young In one another’s arms, birds in the trees and other signs of youth are not the dominion of the old. The poem is layered with many meanings, one which is the destination of Byzantium. Known now as Istanbul, the city has been considered the meeting point of eastern and western cultures, identities and religions. A place historically enriched by an infusion of differences that was, because of that, the centre of European civilisation. In contrast Northern Ireland is a place historically divided by difference. Its political framework, and systems of order and control used difference to isolate and discriminate.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43173977915555,"sku":"PH-PH-1779","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/CopyofCopyofNavyandWhiteMinimalistGiftVoucherInstagramPost_0dcddc4c-a8da-405b-99c4-1b9c695fd4cf.png?v=1766146806"},{"product_id":"a-woman-walks-alone-at-night-with-a-camera-by-ruby-wallis-and-phillina-sun","title":"A Woman Walks Alone at Night, with a Camera by Ruby Wallis and Phillina Sun","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eA Woman Walks Alone At Night, With a Camera features photographs by Ruby Wallis and an essay by Phillina Sun, centered around the experience of walking at night as a woman.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDesigned by Eimearjean McCormack, the publication links to image and text through the figure of the flâneuse, framed here as a subversive, imaginative explorer who wanders the city according to her desire, deterritorialising an urban landscape traditionally seen as a male domain.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43174004195491,"sku":"PH-PH-1783","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/rubywallis.jpg?v=1673282635"},{"product_id":"o-by-eamonn-doyle","title":"O by Eamonn Doyle","description":"\u003cp data-mce-fragment=\"1\"\u003eAs the day passes, its shadow goes by. Taken within the orbital limits of the south-east Dublin coastal suburbia of his youth, incidental objects of memory strive to resist the forensic pressure of the late Spring sun as it bears down its weight in this new, large-scale publication of photographs by Eamonn Doyle.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43175640432803,"sku":"PH-PH-1785","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/eamonn_o.jpg?v=1673348162"},{"product_id":"images-divine-human-following-ulysses-by-deirdre-brennan","title":"IMAGES, DIVINE \u0026 HUMAN Following Ulysses by Deirdre Brennan","description":"\u003cspan data-mce-fragment=\"1\"\u003eTaking \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eUlysses\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e as a guide, Deirdre Brennan explores the changing face of Dublin over the last decade, capturing the rich tapestry of the city and its inhabitants in a series of striking photographs. The social, cultural, political and personal are intertwined in these images of a city again in transition.\u003c\/span\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":43175669596323,"sku":"PH-PH-1788","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/images_divine_human.jpg?v=1673349461"},{"product_id":"beacons-photobook-special-edition-by-daragh-muldowney","title":"Beacons (Special Edition), Daragh Muldowney","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLake Baikal in Siberia is the oldest and largest freshwater lake on the planet. In winter, temperatures drop as low as -40°C and the lake becomes a vast frozen plain. Crossing the lake can be a hazardous journey as the ice comes under huge pressure causing it to either break apart exposing the frigid water below or crush together creating large jagged hummocks. To help travellers across the ice, the locals mark out an ice road by drilling holes and ‘planting’ small pine trees that act as markers, ‘beacons’ guiding the way.\u003c\/p\u003e\n\u003cp\u003eCaptivated by the surreal beauty of these beacons, award winning Irish photographer Daragh Muldowney returned to Lake Baikal over three winters in the hope of documenting them. Their organic forms emerging from the mist or appearing unexpectedly on the distant horizon, each tree is a benign presence in an otherwise barren world, offering hope and safe passage.\u003c\/p\u003e\n\u003cp\u003eBeacons is a new photobook and exhibition which celebrates the small pine trees found along the ice roads of Lake Baikal.\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":46509576585563,"sku":"PH-PH-1873","price":190.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/Beacons-Special-Ed-Cover.png?v=1682073497"},{"product_id":"it-starts-with-silence-by-richard-gosnold","title":"It starts with silence by Richard Gosnold (Signed copy)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003csection class=\"sixcol product-gallery js-product-gallery\"\u003e\n\u003cdiv class=\"_4ORMAT_content_page_row\"\u003e\n\u003cdiv class=\"product-gallery-thumbs js-product-gallery-thumbs twocol\"\u003e\n\u003cdiv class=\"product-gallery-thumb-wrap js-product-gallery-thumb-wrap active\"\u003e\n\u003cem\u003eIt starts with silence\u003c\/em\u003e addresses subject matter, which many consider taboo, it forms a photographic narrative around the illegality of abortion and how that law affected the artist as a man, a husband, and a father.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-gallery-thumb-wrap js-product-gallery-thumb-wrap active\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"sixcol last product-info js-product-info\"\u003e\n\u003csection class=\"product-description\"\u003e\n\u003cp\u003eEmploying photography and text, Richard Gosnold powerfully communicates the complexities of his emotions. He reflects upon his sense of place, within the political and physical landscape of Northern Ireland, a place to which, his wife was desperate to return. A place, where politicians remain fanatical in their desire to control the bodies of pregnant people.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a work of protest, which is inspired by personal conversations. Conversations held in small rooms, behind closed doors. Conversations, which help to inform policymakers who have the power to change laws.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt is a sorrowful lament, a work of love for all who are troubled with crisis pregnancies. A message of hope and solidarity for all whose voices are lost among the chaos of political discourse. Set in a small country in the North of Ireland, this story remains politically relevant and resonates around the world.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e","brand":"Kehrer Verlag","offers":[{"title":"Default Title","offer_id":46709621915995,"sku":"KE-PH-1877","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Screenshot2023-05-02at12.15.48.jpg?v=1683028104"},{"product_id":"grammar-by-roseanne-lynch-signed","title":"GRAMMAR by Roseanne Lynch (signed copy)","description":"\u003cp\u003eRoseanne Lynch had an 18 month residency at the Bauhaus Foundation\u003cbr\u003eDessau in 2018 and 2019. She immersed herself there in the sites of the\u003cbr\u003eBauhaus and its Materials Research Archive while also working through the\u003cbr\u003eelementary design teachings of the Bauhaus School with photographic\u003cbr\u003eprocesses. Her images act as visual prompts through the recognition of\u003cbr\u003emodernist identifiers showing the power of photography in shaping the visual\u003cbr\u003ehistory of modern architecture.\u003cbr\u003e\u003cbr\u003eThrough making in abstract and documentary ways, Lynch’s work explores\u003cbr\u003ethe peculiarity of photographic images in terms of what they allow to appear\u003cbr\u003eand the ways in which they stand in for what they represent. Her work\u003cbr\u003econsiders the role of photography in the coding of social structures that\u003cbr\u003ecreate and maintain themselves through images. By engaging with the\u003cbr\u003eperformative functions of the medium, this presentation of Lynch’s work\u003cbr\u003eshows how photographic transformation influences the production of cultural\u003cbr\u003eartefacts and collective imaginaries.\u003cbr\u003e\u003cbr\u003eThis publication, designed by Hans Bol, contains a text on Lynch’s\u003cbr\u003ephotography practice in relation to the Bauhaus movement by Torsten Blume\u003cbr\u003eArtistic and Research Associate, and Curator of Bauhaus Foundation Dessau.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Recto Verso","offers":[{"title":"Default Title","offer_id":46727210041691,"sku":"RE-PH-1881","price":57.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/GRAMMARRoseanneLynch1.jpg?v=1686749037"},{"product_id":"false-friends-by-dominic-turner","title":"False Friends, Dominic Turner (Signed)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"yui_3_17_2_1_1697801641347_123\" data-content-field=\"excerpt\" class=\"product-excerpt\"\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003eIn a world of ‘alternative facts’ \u0026amp; ‘cognitive dissonance’ Turner’s photographs play with the idea of information voids \u0026amp; misunderstandings, inviting the viewer to explore the shadows and obfuscations of a familiar, yet not quite recognisable world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" id=\"yui_3_17_2_1_1697801641347_869\" class=\"\"\u003e“There are those who would have us believe that the scariest of monsters dwell in the shadows \u0026amp; that we must be on permanent guard. 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For fifty-eight years, the master photographer has documented the United States’ ever-changing social landscape.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring the late 1960s, Meyerowitz carried two cameras: one loaded with monochrome stock, the other with color. Just how, when, and why American fine art photographers switched from black-and-white image-making, prized within the gallery system, to color photography, once seen as the preserve of tourist photography, has been the cause of much debate.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem data-mce-fragment=\"1\"\u003eJoel Meyerowitz: A Question of Color\u003c\/em\u003e, Meyerowitz tells the story of his early days as a photographer when he was told that serious photographers took black-and-white pictures. \"But why,\" he asked, \"when the world is in color?\" He then bought a color camera and various rolls of film and began to experiment with color techniques: a passion he continues to pursue.\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":47436554142043,"sku":"TH-PH-2076","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/9780500297896_300.jpg?v=1702381602"},{"product_id":"inis-meain-1973-2023-by-chris-rodmell","title":"Inis Meáin 1973-2023, Chris Rodmell (First Edition)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhotographing 50 years apart, the book chronicles the culture and way of life on the island and how it has changed in half a century.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second largest of the Aran Islands, Inis Meáin is situated across the mouth of Galway Bay on the West coast of Ireland. When Chris Rodmell arrived in 1973 the island was eagerly anticipating the arrival of electricity, the population of just over 300 people taken up with trades of fishing and cattle rearing. 50 years on, less has changed than might be expected. Fishing and cattle rearing are still a large part of the way of life, along with the Inis Meáin Knitting Company, founded in 1976, is the island’s largest employer producing Contemporary Irish knitwear.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eRodmell first visited the island after winning a £250 award from Thames Television to film life in an “enclosed community living on one of the remote islands off Ireland or Scotland.” Setting off with a 16mm Bolex, tape recorder and a medium format Mamiya, Rodmell spent three weeks with the people of Inis Meáin and has maintained a lifelong admiration for the place and its culture. Rodmell revisited a number of times in the intervening years, and in 1996 began to rephotograph in earnest for what would become\u003cspan data-mce-fragment=\"1\"\u003e '\u003c\/span\u003eInis Meáin 1973-2023'. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe book comprises two halves, the first containing the photographs from 1973 and a few stills from the 16mm film, the second reflecting back from our vantage point in 2023. Rodmell’s moving image background is evident in his approach to photography, weaving the narratives of everyday life together giving the viewer an immersive experience of island life across the decades. 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The preservation of the language is bound together with the preservation of island traditions and these texts provide important context for Rodmell’s work and his place within the island’s community.\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"RRB Photobooks","offers":[{"title":"Default Title","offer_id":47567103787355,"sku":"","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/inismeaincover.png?v=1755256595"},{"product_id":"at-mirrored-river-by-enda-bowe","title":"At Mirrored River, Enda Bowe (Signed)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe project has been exhibited at The Visual Centre Of Contemporary Art, Ireland, July to Sept 2016 and has received nominations for the Deutsche Borse Photography Prize and the Prix Pictet Award. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe book has received support from people including film directors Ken Loach and Lenny Abrahamson, writer Colm Toibin, The Victoria \u0026amp; Albert Museum, photographers Tom Wood, Donovan Wylie and Eamonn Doyle. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Blue Swallow","offers":[{"title":"Default Title","offer_id":47661939884379,"sku":"","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/mirroredrivercover.png?v=1755263967"},{"product_id":"saul-leiter","title":"Saul Leiter","description":"\u003cp data-mce-fragment=\"1\"\u003eSaul Leiter photographed and painted nearly every day for over sixty years, amassing an enormous archive, most of which remained unseen during his lifetime. Finding inspiration within a few blocks of his apartment in Lower Manhattan, he was a master at discovering beauty in the most ordinary places. Celebrated today for his evocative colour photographs of New York in the 1950s and 1960s, which were unknown in their day, Leiter also found success as a fashion photographer for Harper’s Bazaar. All the while he was shooting black-and-white street scenes on his daily walks, and nudes and intimate portraits back home, while continuing his painting explorations with abstract watercolours, whimsical sketchbooks and painted photographs.\u003c\/p\u003e\n\u003cdiv data-role=\"bva-reveal\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCreated in collaboration with the Saul Leiter Foundation, this definitive monograph brings together these diverse yet interconnected bodies of work – including much that was previously unpublished – to reveal the complete artist for the first time.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":47870889591131,"sku":"TH-BO-2185","price":70.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Untitleddesign-4_cee78cff-d21b-4df5-b489-fe40f90d7d2d.png?v=1773418129"},{"product_id":"harry-gruyaert-homeland","title":"Homeland, Harry Gruyaert","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eThe award-winning Magnum photographer turns his lens on his homeland, Belgium.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Belgium in 1941, Harry Gruyaert was one of the first European photographers to take advantage of colour, following in the footsteps of US pioneers including William Eggleston and Stephen Shore. 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As a counterpoint to these more recent color photographs, three portfolios of black-and-white images taken in the 1970s punctuate this visual immersion and journey through the lowlands.\u003c\/span\u003e\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":49041814880603,"sku":"49011000","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Untitleddesign-4_873d2324-ebaf-476f-81af-db60a124ac16.png?v=1778329502"},{"product_id":"wet-dream-by-brian-teeling-signed-copy","title":"Wet Dream, Brian Teeling","description":"\u003cp\u003e'Wet Dream'\u003cspan\u003e \u003c\/span\u003eis the second publication of photographic work by visual artist, Brian Teeling. This work has been commissioned by the Irish Museum of Modern Art and was first exhibited at IMMA in 2019 as part of ‘A Vague Anxiety’, curated by Seán Kissane.\u003c\/p\u003e\n\u003cp\u003eWhen taking photographs, you are forced to become a collector of fragments in time. Visions of your past can be reflective, acting like a vivid memory. But to collect these photographs, these fragments, to store them (digitally or physically), to present them in any format, is to accept that you are to be haunted. Although not cursed, you will be plagued by potential realities and lost futures.\u003c\/p\u003e\n\u003cp\u003e'Wet Dream'\u003cspan\u003e \u003c\/span\u003eis swarming with ghosts. These photos were taken before, during, and after a multitude of sexual encounters throughout 2015–2017. Each photo represents a new body. A friendly stranger, familiar friend, convenient neighbour. Bathing in the glow of a red lamp, it’s like they’re caught in a river of never-ending brake lights. Existing now as radiating shadows in this gloomy bedroom.\u003c\/p\u003e\n\u003cp\u003eThese hookups became ceremonial, with a series of unchanging totems. The mirror, the red light, the soundtrack provided by HTRK’s Psychic 9–5 Club, the bed, the men. These things became part of the psychic architecture of an apparent desire for intimacy, however fleeting. This transactional void sometimes leaves you feeling hollow, as though you could never feel love. \u003cbr\u003e\u003cbr\u003e“Looking back now, these images haunt me as a temporal paradox that displays an array of potential fictional futures, where time begins to decay, regress, or cease altogether.” (Words by Brian Teeling)\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Brian Teeling","offers":[{"title":"Default Title","offer_id":49190574129499,"sku":"BR-BO-Y24-2294","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/wetdream.jpg?v=1730565122"},{"product_id":"pebbledash-wonderland-bundle-offer-for-irish-book-week-2024","title":"Shane Lynam Pebbledash Wonderland Irish Book Week Bundle 2024","description":"\u003cp\u003e\u003cstrong\u003eWhat's in my Irish Book Week bundle?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eShane Lynam Pebbledash Wonderland limited edition tote bag\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eShane Lynam Pebbledash Wonderland catalogue with essays by Darren Campion and Aidan Kelly Murphy\u003c\/p\u003e\n\u003cp\u003eShane Lynam Pebbledash Wonderland 5 x limited edition exhibition postcard set\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eShane Lynam Pebbledash Wonderland\u003cem\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"OYPEnA text-decoration-none text-strikethrough-none\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLandscape fridge magnet \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the BUNDLE:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePhoto Museum Ireland is delighted to present the premiere of Shane Lynam's \u003cem\u003ePebbledash Wonderland \u003c\/em\u003e(2014 –2024), a photographic account of his adopted home city, Dublin. The exhibition builds on Lynam’s long-term engagement with urban space across Europe, pushing his practice in new subjective and narrative directions. \u003cem\u003ePebbledash Wonderland\u003c\/em\u003e is Lynam's third major body of work and follows on from his acclaimed book, \u003cem\u003eFifty High Seasons\u003c\/em\u003e, about modernist French resorts, published in 2018, and \u003cem\u003eContours\u003c\/em\u003e exhibited in 2013.\u003c\/p\u003e\n\u003cp\u003ehttps:\/\/photomuseumireland.ie\/\u003c\/p\u003e\n\u003cheader\u003e\u003cstrong\u003eWhat is Irish Book Week?\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIrish Book Week 2024 takes place 19 – 26 October.\u003c\/strong\u003e\u003cbr\u003e \u003c\/header\u003e\n\u003cp\u003e\u003cspan\u003eIreland is internationally recognised as a country of books. Our bookshops play a crucial role in championing homegrown talent and putting great Irish books into the hands of readers. They are cultural hubs. They provide us with recommendations for as yet undiscovered delights, the means to browse at our leisure, opportunities to meet our favourite authors, the chance to connect with other readers and so much more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eIrish Book Week\u003c\/strong\u003e\u003cspan\u003e celebrates Irish authors, publishers, and Irish interest books, as well as the many brilliant bookshops that sell them.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eIrish Book Week\u003c\/strong\u003e\u003cspan\u003e was created by Bookselling Ireland, a committee of Booksellers Association members representing bookshops big and small across the Republic of Ireland and Northern Ireland, working closely with \u003c\/span\u003e\u003ca href=\"http:\/\/www.publishingireland.com\/\" target=\"_blank\"\u003ePublishing Ireland\u003c\/a\u003e\u003cspan\u003e. Irish Book Week launched in 2018. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eHow Can I Celebrate Irish Book Week?\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCelebrate Irish Book Week by shopping with your local bookshop; in person, online or over the phone. Show your support in a practical way, because shopping with your local bookshop is the most effective way to ensure their survival and success, and that really is something worth celebrating.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":49257101820251,"sku":"PH-IR-2314","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/shane-tote-promo_b6452f0b-16f9-429d-870e-9f5d9751a677.jpg?v=1735902397"},{"product_id":"photo-museum-ireland-irish-book-week-bundle-2024","title":"Photo Museum Ireland Irish Book Week Bundle 2024","description":"\u003cp\u003e\u003cstrong\u003eWhat's in my Irish Book Week bundle?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Photo Museum Ireland Orange tote bag.\u003c\/p\u003e\n\u003cp\u003e2. Akihiko Okamura, The Memories of Others Book\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e3. Akihiko Okamura, The Memories of Others Poster\u003c\/p\u003e\n\u003cp\u003e4.Skin \/ Deep – Exhibition Catalogue\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e5. Shane Lynam, Pebbledash Wonderland limited edition tote bag\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e6. Shane Lynam, Pebbledash Wonderland catalogue with essays by Darren Campion and Aidan Kelly Murphy\u003c\/p\u003e\n\u003cp\u003e7. Shane Lynam, Pebbledash Wonderland 5 x limited edition exhibition postcard set\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e8. Shane Lynam, Pebbledash Wonderland\u003cem\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"OYPEnA text-decoration-none text-strikethrough-none\"\u003e\u003cspan\u003eLandscape fridge magnet \u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAbout the BUNDLE: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePhoto Museum Ireland Tote:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA light reusable shopping tote bag made from 100% cotton from Photo Museum of Ireland. This tote is in great demand with its long handles, it is easy to carry on the shoulder even when it is full of photobooks!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAkihiko Okamura, The Memories of Others:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished by Atelier EXB and Prestel, some of photography’s most influential publishing houses, this collection is accompanied with essays and texts by Okamura’s Daughter Kusi Okamura; photography historian and curator Pauline Vermare; photo historian, author, and curator Masako Toda; award-winning journalist Seán O’Hagan and Photo Museum Ireland Artistic Director and CEO, Trish Lambe. \u003cem\u003eThe Memories of Others\u003c\/em\u003e is an unparalleled contribution to the study of photography and the experience of conflict in Ireland.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChanging State:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresented by Photo Museum Ireland, IKS Photo, Düsseldorf, and Haus am Kleistpark, as part of Zeitgeist 24, an initiative by Culture Ireland and the Irish Embassy in Germany, in media partnership with ARTE.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eChanging States: Ireland in the 21st Century \u003c\/em\u003eis the largest group exhibition of Irish photography presented outside Ireland to date. Focusing on the first decades of the 21st century, coinciding with the centenary of the founding of the Irish state, it shows the depth and breadth of contemporary photography in Ireland. The exhibition reflects how Irish artists have responded to and critically reframed the recent profound shifts that have occurred in Irish society - surveying Ireland’s transformation from an insular nation-state to a more liberal, globalised and multicultural society. \u003c\/p\u003e\n\u003cp class=\"\"\u003eFeaturing works by 34 contemporary artists, the exhibition and catalogue present three key themes: \u003cem\u003ePolitical Landscapes\u003c\/em\u003e, \u003cem\u003eNotions of Home,\u003c\/em\u003e and\u003cem\u003e Changing Identities\u003c\/em\u003e. Encompassing diverse vantage points of the medium, ranging from documentary photography to more socially engaged and conceptual approaches, the exhibition considers how leading artists working in Ireland have addressed major socio-political developments to reflect on changing demographics, cultural identities, contested territories and social reform.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePebbledash Wonderland:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePhoto Museum Ireland is delighted to present the premiere of Shane Lynam's \u003cem\u003ePebbledash Wonderland \u003c\/em\u003e(2014 –2024), a photographic account of his adopted home city, Dublin. The exhibition builds on Lynam’s long-term engagement with urban space across Europe, pushing his practice in new subjective and narrative directions. \u003cem\u003ePebbledash Wonderland\u003c\/em\u003e is Lynam's third major body of work and follows on from his acclaimed book, \u003cem\u003eFifty High Seasons\u003c\/em\u003e, about modernist French resorts, published in 2018, and \u003cem\u003eContours\u003c\/em\u003e exhibited in 2013.\u003c\/p\u003e\n\u003cp\u003ehttps:\/\/photomuseumireland.ie\/\u003c\/p\u003e\n\u003cheader\u003e\u003cstrong\u003eWhat is Irish Book Week?\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIrish Book Week 2024 takes place 19 – 26 October.\u003c\/strong\u003e\u003cbr\u003e \u003c\/header\u003e\n\u003cp\u003e\u003cspan\u003eIreland is internationally recognised as a country of books. Our bookshops play a crucial role in championing homegrown talent and putting great Irish books into the hands of readers. They are cultural hubs. They provide us with recommendations for as yet undiscovered delights, the means to browse at our leisure, opportunities to meet our favourite authors, the chance to connect with other readers and so much more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eIrish Book Week\u003c\/strong\u003e\u003cspan\u003e celebrates Irish authors, publishers, and Irish interest books, as well as the many brilliant bookshops that sell them.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eIrish Book Week\u003c\/strong\u003e\u003cspan\u003e was created by Bookselling Ireland, a committee of Booksellers Association members representing bookshops big and small across the Republic of Ireland and Northern Ireland, working closely with \u003c\/span\u003e\u003ca href=\"http:\/\/www.publishingireland.com\/\" target=\"_blank\"\u003ePublishing Ireland\u003c\/a\u003e\u003cspan\u003e. Irish Book Week launched in 2018.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cstrong\u003eHow Can I Celebrate Irish Book Week?\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003eCelebrate Irish Book Week by shopping with your local bookshop; in person, online or over the phone. Show your support in a practical way, because shopping with your local bookshop is the most effective way to ensure their survival and success, and that really is something worth celebrating.\u003c\/span\u003e\u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":49257639772507,"sku":"","price":107.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/OrangeTote_b5b6ab07-bf4c-477c-a6d6-10c02b59bc1e.jpg?v=1729170455"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/collections\/firstdraftcover_ff78420d-2c85-433a-ba90-ccaf140640a8.png?v=1779457514","url":"https:\/\/shop.photomuseumireland.ie\/collections\/monographs-artists-books.oembed?page=9","provider":"Photo Museum Ireland","version":"1.0","type":"link"}