{"title":"Photobook Classics - Photo Museum Ireland","description":"\u003cp data-start=\"0\" data-end=\"455\"\u003eThe Photobook Classics collection brings together some of the most influential and sought-after photography books ever published — landmark titles that have shaped the history of photography, visual storytelling, and photobook design. Spanning documentary photography, street photography, portraiture, conceptual practice, and artist publishing, these books remain essential reference points for photographers, collectors, students, and readers worldwide.\u003c\/p\u003e\n\u003cp data-start=\"457\" data-end=\"799\"\u003eThe collection includes iconic works by major international photographers whose publications transformed the way photographs are sequenced, edited, and experienced in book form. From rare reprints and contemporary facsimiles to beautifully produced new editions, these titles reflect the enduring power of the photobook as an artistic medium.\u003c\/p\u003e\n\u003cp data-start=\"801\" data-end=\"917\"\u003eMany titles are available in limited quantities and selected editions may include signed copies or special releases.\u003c\/p\u003e\n\u003cp data-start=\"919\" data-end=\"1120\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eEvery purchase supports the ongoing work of \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePhoto Museum Ireland\u003c\/span\u003e\u003c\/span\u003e, Ireland’s national centre for contemporary photography, supporting photographers and photographic practice since 1978.\u003c\/p\u003e","products":[{"product_id":"the-light-of-day-by-tony-oshea","title":"The Light of Day, Tony O'Shea (First Edition, Signed Copy)","description":"\u003cp\u003e\"Tony O’Shea is interested in the moment where the ritual and the casual face each other in the complex light that comes from Irish skies. He likes gatherings and public spaces. And he is watching for the second when, even if his subjects are performing, a guard has been let down, and the camera becomes an uneasy, tentative, hesitant window into the soul. He seeks images of individual loneliness and isolation, figures in a state of reverie and contemplation, or figures in a state of excitement.\"\u003cspan\u003e - Colm Tóibín\u003c\/span\u003e\u003c\/p\u003e","brand":"RRB Photobooks \u0026 Gallery of Photography Ireland","offers":[{"title":"Default Title","offer_id":41311057674403,"sku":"RR-HA-0986","price":300.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/tonyoshea.png?v=1763903091"},{"product_id":"my-dublin-1963-my-dubliners-2020-special-edition-by-alen-macweeney","title":"My Dublin 1963, My Dubliners 2020, Alen MacWeeney (Special Edition)","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eIn September 1962 Irish photographer Alen MacWeeney returned to Dublin from a year in New York, working for the acclaimed photographer Richard Avedon. Equipped with a 35mm Leica camera, he went onto the streets of the city to engage with life directly as he saw it. Almost 60 years later, during the pandemic lockdowns and isolation of 2020, that we all experienced, MacWeeney’s photographs of Dublin 1963 were shared by his partner, Pesya, with a group of online Dubliners.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe result was a virtual explosion. An instantaneous torrent of observations, comments and opinions filled the screen. As more photographs were posted, the online community scrutinised every incidental detail. Responses bristled with Dublin humour. The people and locations that MacWeeney had captured were recognised and disputed. Discussions and recollections drew in multiple participants, the online exchanges eliciting wonder, incredulity, nostalgia, warmth – and sometimes anger. This previously unseen series of photographs had come to life again in the unexpected confinement of a pandemic to grace a multitude of new lives through a bond of shared interest and humanity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow all photographs in the series have been published with a selection of these online comments by the community in a book by Alen MacWeeney entitled, My Dublin 1963, My Dubliners 2020. The book is about the power of photography in creating a conversation that unites the community, and transports the viewer back to another life. It is local history. It is about life in a Dublin of the past being brought back into the present in 2020 by today’s Dubliners, “straight from the horse’s mouth”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor MacWeeney, “Reading the reaction of Dubliners in lockdown to seeing the people or places they knew as children, – mothers and fathers, relations and friends, coming or going to work, playing in the streets, or on a date, waiting for the bus, or just being there as I was at the time, was electrifying; a pure joy to read their responses.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Alen MacWeeney Archive is held by University College Cork.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/libguides.ucc.ie\/alen_macweeney\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Lilliput Press","offers":[{"title":"Default Title","offer_id":42396534079651,"sku":"TH-HA-1013","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/dublinphotographcover.png?v=1749222247"},{"product_id":"the-ballad-of-sexual-dependency-by-nan-goldin","title":"The Ballad of Sexual Dependency, Nan Goldin","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst published in 1986, Nan Goldin's \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Sexual Dependency\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a visual diary chronicling the struggles for intimacy and understanding among the friends and lovers whom Goldin describes as her \u003c\/span\u003e\u003cq data-mce-fragment=\"1\"\u003etribe.\u003c\/q\u003e\u003cspan data-mce-fragment=\"1\"\u003e These photographs described a lifestyle that was visceral, charged and seething with a raw appetite for living, and the book soon became the swan song for an era that reached its peak in the early 1980s. Twenty-five years later, Goldin's lush colour photography and candid style still demand that the viewer encounter their profound intensity head-on. As she writes: \u003c\/span\u003e\u003cq data-mce-fragment=\"1\"\u003eReal memory, which these pictures trigger, is an invocation of the color, smell, sound and physical presence, the density and flavour of life.\u003c\/q\u003e\u003cspan data-mce-fragment=\"1\"\u003e Through an accurate and detailed record of Goldin's life, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Ballad of Sexual Dependency\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e records a personal odyssey as well as a more universal understanding of the different languages men and women speak. The book's influence on photography and other aesthetic realms has continued to grow, making it a classic of contemporary photography. This anniversary edition features all-new image separations produced using state-of-the-art technologies and specially prepared reproduction files, which offer a lush, immersive experience of this touchstone monograph.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42396536864931,"sku":"AP-PH-1035","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/balladofsexualdependency.jpg?v=1677161722"},{"product_id":"magnum-contact-sheets-by-magnum-magnum","title":"Magnum Contact Sheets","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eFew photography books can lay claim to being truly groundbreaking. The first edition of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\" style=\"font-size: 0.875rem;\"\u003eMagnum Contact Sheets\u003c\/i\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e was one of them. This exceptional book, presented here in a new, accessible and democratically priced format for the first time, reveals how Magnum photographers capture and edit the very best shots. Addressing key questions of photographic practice - was the final image a set-up, or a serendipitous encounter; did the photographer work diligently to extract the potential from a situation, or was the fabled 'decisive moment' at play? - this book lays bare the creative methods, strategies and editing processes behind some of the world's most iconic images.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/9780500292914_in05_magnum-contact-sheets__1_jpg_480x480.webp?v=1657971878\"\u003e\u003c\/p\u003e\n\u003cdiv data-role=\"bva-reveal\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e139 contact sheets, representing 69 photographers, are featured, as well as zoom-in details, selected photographs, press cards, notebooks and spreads from contemporary publications, including \u003ci data-mce-fragment=\"1\"\u003eLife\u003c\/i\u003e magazine and \u003ci data-mce-fragment=\"1\"\u003ePicture Post\u003c\/i\u003e. Further insight into each contact sheet is provided by texts written by the photographers themselves or by experts chosen by members' estates.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMany acknowledged greats of photography are included, such as Henri Cartier-Bresson, Elliot Erwitt and Inge Morath, as well as Magnum's latest generation, such as Jonas Bendiksen, Alessandra Sanguinetti and Alec Soth. These photographers cover over seventy years of history, from the Normandy landings by Robert Capa, the Paris riots of 1968 by Bruno Barbey and war in Chechnya by Thomas Dworzak to images of Che Guevara by Rene Burri, Malcolm X by Eve Arnold and clasic New Yorkers by Bruce Gilden.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis landmark book, published just as the shift to digital photography threatens to render the contact sheet obsolete, celebrates the sheet as artifact, as personal and historic record, as invaluable editing tool, and as a fascinating way of accompanying great photographers as they work towards, and capture, the most enduring images of our time.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":42396537520291,"sku":"TH-PH-1050","price":58.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/9780500292914.jpg?v=1657972576"},{"product_id":"on-photographs-by-david-campany","title":"On Photographs, David Campany","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eIn 'On Photographs', curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it within visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.\u003c\/p\u003e\n\u003cp\u003eThe title, 'On Photographs', alludes to Susan Sontag’s influential and groundbreaking 'On Photography'. As an undergraduate, Campany met Sontag and questioned her assessment of photography without including specific photographs. Sontag graciously suggested that someday Campany could write his own book on the subject, titled 'On Photographs'. Now he has.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Signed","offer_id":52858676183387,"sku":"TH-HA-1073","price":40.0,"currency_code":"EUR","in_stock":false},{"title":"Unsigned","offer_id":52858691584347,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Screenshot2025-08-13at13.46.02.png?v=1755089234"},{"product_id":"the-bikeriders-by-danny-lyon","title":"The Bikeriders by Danny Lyon","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFirst published in 1968, and now back in print for the first time in ten years, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Bikeriders\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e explores firsthand the stories and personalities of the Chicago Outlaws Motorcycle Club. This journal-size volume features original black-and-white photographs and transcribed interviews by Lyon, made from 1963 to 1967, when he was a member of the Outlaws gang. Authentic, personal and uncompromising, Lyon's depiction of individuals on the outskirts of society offers a gritty yet humane perspective that subverts more commercialized treatments of Americana. Akin to the documentary style of 1960s-era New Journalism made famous by writers such as Hunter S. Thompson, Joan Didion and Tom Wolfe, Lyon's photography is saturation reporting at its finest. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Bikeriders\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a touchstone publication of 1960s counterculture, crucially defining the vision of the outlaw biker as found in \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eEasy Rider\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and countless other movies and photobooks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-node=\"5e822cc65420b\" class=\"fl-col fl-node-5e822cc65420b column-left-advertisement\"\u003e\n\u003cdiv class=\"fl-col-content fl-node-content\"\u003e\n\u003cdiv data-node=\"60520a4adf49b\" class=\"fl-module fl-module-html fl-node-60520a4adf49b\"\u003e\n\u003cdiv class=\"fl-module-content fl-node-content\"\u003e\n\u003cdiv class=\"fl-html\"\u003e\n\u003cdiv class=\"aperture-accordion aperture-accordion-collapse aperture-accordion-initialized\"\u003e\n\u003cdiv class=\"aperture-accordion-item\"\u003e\n\u003cdiv class=\"aperture-accordion-content fl-clearfix\"\u003ePhotographs by Danny Lyon.\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003eDanny Lyon is highly regarded as one of the most influential documentary photographers of the last five decades. His many books include The Movement (1964), The Destruction of Lower Manhattan (1969), Conversations with the Dead (1971), Knave of Hearts (1999), Like a Thief’s Dream (2007), and Deep Sea Diver (2011). Widely exhibited and collected, Lyon has been awarded Guggenheim Fellowships twice and National Endowment for the Arts grants ten times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42396544041123,"sku":"AP-HA-1134","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/lyon.jpg?v=1676478087"},{"product_id":"shirley-baker-by-lou-stoppard","title":"Shirley Baker, Lou Stoppard","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eShirley Baker developed her first photograph as a young girl \u003ci data-mce-fragment=\"1\"\u003e‘\u003c\/i\u003efrom the darkness of the coal shed\u003ci data-mce-fragment=\"1\"\u003e’\u003c\/i\u003e in her hometown of Salford, Northwest England. From this moment, she developed a lifelong interest in documentary photography, amounting to a vast and celebrated archival collection that spans the length of her career, dating from the 1950s until 2000. Edited by Lou Stoppard, this book presents an extensive–and, uniquely, female–depiction of post-war life; an eccentric survey which combines her better-known street photographs of Manchester, Salford and Blackpool with previously unseen photographs that span the UK, all the way to the South of France, Italy and Japan. Instances of humour abound in the collection, casting a spotlight on the idiosyncrasies of British identity: a high street shopper cocks his head echoing the mannequin behind him, an older\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e woman with cigarette-wrinkled lips looks into the lens with an almost comic stoicism, children play, mimicking adults. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe changing landscapes, fashions, photographic styles and tones that make up the sequence are woven together by Baker’s singular attentiveness to moments of wit and warmth in daily life.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mack","offers":[{"title":"Default Title","offer_id":42396549251235,"sku":"MA-HA-1177","price":50.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/shirley_baker.jpg?v=1676040178"},{"product_id":"through-the-glass-darkly-by-harry-thuillier","title":"Through the Glass Darkly: 1946-1997 by Harry Thuillier Jnr.","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"woocommerce-Tabs-panel woocommerce-Tabs-panel--description panel entry-content wc-tab\" id=\"tab-description\" role=\"tabpanel\" aria-labelledby=\"tab-title-description\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe exquisite reproduction in this book will allow a wider public to discover the dark beauty of Harry Thuillier’s work . His photographs are full of mystery and are imbued with a deep sense of grace.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003csection class=\"related products\" data-mce-fragment=\"1\"\u003e\u003c\/section\u003e","brand":"Merchants Quay Ireland","offers":[{"title":"Default Title","offer_id":42396549284003,"sku":"ME-HA-1178","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/Through-the-glass-darkly-e1457011235782.jpg?v=1658402959"},{"product_id":"family-by-lee-friedlander","title":"Family by Lee Friedlander","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLike most fathers, Lee Friedlander has made photographs of his wife and children throughout their lives together. Unlike most fathers, Friedlander happens to be one of the greatest living photographers. In Family, Friedlander departs from his well-known terrain of the open road and the city street, focusing instead on his wife, Maria, his children and (later) his grandchildren. The result is an intimate narrative of a family’s complex life, from 1958 to the present. The subjects are natural and unaffected in front of the ever-present lens, and the pictures make it clear that Friedlander’s camera was a constant presence in the home, a natural extension of the artist himself. Over and over Friedlander recognized in an instant things that were precious and universal, yet specific to his own situation. Friedlander has done us a great honor by publishing these images. The inventive design of Family enhances the integrity of Friedlander’s family album.\u003c\/span\u003e\u003cbr\u003e","brand":"Fraenkel Gallery","offers":[{"title":"Default Title","offer_id":42396549972131,"sku":"FR-HA-1195","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/family.jpg?v=1676375036"},{"product_id":"at-work-by-lee-friedlander","title":"At Work by Lee Friedlander","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the Industrial North at the end of the 1970s, people were at work with hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eLee Friedlander At Work\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers at work.\u003c\/span\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":42396555444387,"sku":"ST-HA-1311","price":34.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/products\/atwork.jpg?v=1671028398"},{"product_id":"the-other-side-by-nan-goldin","title":"The Other Side, Nan Goldin","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is an expanded and updated version of Nan Goldin’s seminal book \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Other Side\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, originally published in 1993. There will be a revised introduction by Goldin, and for the first time the voices of those whose stories are represented. Now being released at a time when the discourse around gender and sexual orientation is evolving, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Other Side\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e traces some of the history that informs this new visibility. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early eighties, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the nineties, she recorded the explosion of drag as a social phenomenon in New York, Berlin and Bangkok, photographing their public personas while showing their real lives backstage. Goldin’s newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Other Side\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is her homage to the queens she’s loved, many of whom she’s lost, over the last four decades.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eThe pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria...\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e - Nan Goldin\u003c\/span\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":42396574843043,"sku":"ST-HA-1573","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/theothersidecover.png?v=1755256048"},{"product_id":"lee-freiedlander-framed-by-joel-coen","title":"LEE FRIEDLANDER Framed by Joel Coen","description":"\u003cp data-mce-fragment=\"1\"\u003eIn his selection of 70 photographs by Lee Friedlander, acclaimed filmmaker Joel Coen focuses on Friedlander’s beautifully strange sense of composition. In Friedlander’s unmistakable style, images are off kilter and visually dense, bisected and carved by stop signs and utility poles, store windows and reflections, car doors and windshields or shadows and trees. “As a filmmaker, I liked the idea of creating a sequence that would highlight Lee’s unusual approach to framing—his splitting, splintering, repeating, fracturing, and reassembling elements into new and impossible compositions,” Coen writes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFeaturing work spanning more than 60 years, the book includes selections from some of Friedlander’s most celebrated series, including\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eThe American Monument\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eAmerica by Car\u003c\/i\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Little Screens\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand others, arranged to draw connections between form and composition rather than subject. In an afterword, renowned actor Frances McDormand describes the bond between the two artists. Coen and Friedlander “hold mysteries that feel a bit connected\u003cspan class=\"gmail_default\" data-mce-fragment=\"1\"\u003e,\u003c\/span\u003e” she writes. “They both capture and fill frames with sometimes simple and other times chaotically elaborate images that cause us all to wonder.” \u003c\/p\u003e\n\u003cp style=\"text-align: left;\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Photo Museum Ireland","offers":[{"title":"Default Title","offer_id":47013214585179,"sku":"PH-BO-1917","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/leefriedlandercover.png?v=1755099555"},{"product_id":"the-unseen-saul-leiter","title":"The Unseen Saul Leiter","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThe first sightings of newly discovered work from Saul Leiter’s abundant archive of colour slides\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNow widely acclaimed as one of the world’s greatest photographers, Saul Leiter (1923–2013) remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter’s images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment.\u003c\/p\u003e\n\u003cdiv data-role=\"bva-reveal\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn his death in 2013, he left behind a collection of more than 40,000 colour slides, only a fraction of which had seen the light of day. This book showcases seventy-six newly unearthed images from that extraordinary photographic treasure trove, published here for the first time. Meticulously curated by Margit Erb and Michael Parillo of the Saul Leiter Foundation and supported by texts that explain how Leiter built the slide archive and how it is now being explored, catalogued and restored, this monograph will be a must-have for photography fans worldwide.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":47030068773211,"sku":"PH-BO-1926","price":46.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/9780500545560_the-unseen-saul-leiter_packshot2_jpg.webp?v=1692370471"},{"product_id":"evelyn-hofer-dublin","title":"Evelyn Hofer Dublin","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEvelyn Hofer Dublin\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe starting point for this book is\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/steidl.de\/Artists\/Evelyn-Hofer-0616405359.html\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/steidl.de\/Artists\/Evelyn-Hofer-0616405359.html\"\u003eEvelyn Hofer\u003c\/a\u003e’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDublin: A Portrait\u003c\/em\u003e, which features an in-depth essay by V. S. Pritchett and photos by Hofer, and enjoyed great popularity upon its original publication in 1967. Dublin: A Portrait is an example of Hofer’s perhaps most important body of work, her city portraits: books that present comprehensive prose texts by renowned authors alongside her self-contained visual essays with their own narratives.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDublin: A Portrait\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas the last book published in this renowned series.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe newly conceived\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDublin\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efocuses on the photos Hofer took on behalf of the publisher Harper \u0026amp; Row in 1965 and 1966. In Dublin Hofer repeatedly turned her camera to sights of the city, but mainly to the people who constituted its essence. She made numerous portraits—be they of writers and public figures or unknown people in the streets. Her portraits give evidence of an intense, respectful engagement with her subjects, who participate as equal partners in the process of photographing.\u003c\/p\u003e\n\u003cp\u003eText by Hugo Hamilton, 152 pages, 77 imagesHardback \/ Clothbound\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":47064029167963,"sku":"ST-BO-1932","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/dublincover.png?v=1755100032"},{"product_id":"this-will-not-end-well-by-nan-goldin","title":"This Will Not End Well by Nan Goldin","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThis Will Not End Well\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the first book to present a comprehensive overview of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/steidl.de\/Artists\/Nan-Goldin-0507435055.html?SID=pvbtP5Pf1220\" data-mce-href=\"https:\/\/steidl.de\/Artists\/Nan-Goldin-0507435055.html?SID=pvbtP5Pf1220\"\u003eNan Goldin\u003c\/a\u003e’s work as a filmmaker. Accompanying the retrospective show and tour of the same name, organized by Moderna Museet, Stockholm, the book draws from the nearly dozen slideshows and films Goldin has made from thousands of photographs, film sequences, audio tapes and music tracks. The stories told range from the trauma of her family history to the portrayal of her bohemian friends, to a journey into the darkness of addiction.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy focusing exclusively on slideshows and video installations,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThis Will Not End Well\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eaims to fully embrace Goldin’s vision of how her work should be experienced. The book retains the presentation of the slide shows by showing all images in the same format on a black background and sequenced as they are in the sources. The 20 texts, of which the major part are newly commissioned by Goldin, complement and deepen the intention of her work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCo-published with Moderna Museet, Stockholm\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":47705705218395,"sku":"ST-BO-2142","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/thiswillnotendwellcoverr.png?v=1755256410"},{"product_id":"daido-moriyama-shashin-jidai-1981-1988","title":"Daido Moriyama Shashin Jidai 1981 - 1988","description":"\u003cheader\u003e\n\u003cdiv class=\"book-author\"\u003e\u003cspan itemprop=\"author\"\u003eDaido Moriyama\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cp\u003eNew York:\u003cspan\u003e \u003c\/span\u003e\u003cspan itemprop=\"publisher\"\u003eDashwood Books \/ Session Press,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e2023.\u003cbr\u003eCondition: As New, Complete with Poster\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDashwood Books and Session Press are pleased to announce the release of Daido Moriyama Shashin Jidai 1981–1988 by renowned Japanese photographer Daido Moriyama. With the publication of his serialized photo-essay Hikari to Kage (Light and Shadow) in the first issues of the magazine, Shashin Jidai, Daido Moriyama announced his return to photography after nearly a decade. Moriyama had been mired in an acute creative slump from his mid thirties, since the publication of his seminal book, Shashin yo Sayonara (Farewell Photography) in 1972. Unable to take nearly any photos for a prolonged period, he turned to illicit drugs, ultimately wasting away to little more than 40 kgs before he hit physical and emotional rock bottom. Lured back by Akira Hasegawa, Shashin Jidai’s editor, he was invited to contribute photographs for each issue. This began a long relationship between Moriyama and Shashin Jidai. He would ultimately make a total of six serialized essays that appeared through sixty-three issues (in every issue but one) until its’ demise in April 1988. During this period Moriyama worked almost exclusively for Shasin Jidai and was given a free hand to explore and experiment and in the process evolved a new aesthetic that still informs his photography today. Tragically, more than eighty percent of his negatives were lost from this pivotal body of work. In Daido Moriyama Shashin Jidai 1981–1988 the complete run of essays or chapters that appeared concurrently in Shashin Jidai are brought together for the first time, representing the only way to appreciate them without acquiring the original magazines themselves. Each complete essay is reproduced alongside a selected portfolio of images and written essays by Moriyama from each chapter as they appeared in the original magazines. Text appears in Japanese with English translation. In over 400 pages it provides access to a pivotal period in the evolution of one of the most revered and influential photographers of the twentieth century, as yet undocumented in book-form. Accompanying there is a short essay “The Photo Age: Daido Moriyama and Shashin Jidai” by Kotaro Iizawa. Translation throughout by Daniel González, Essays by Daido Moriyama, Text by Kotaro Iizawa, Design by Geoff Han, Editing by David Strettell and Miwa Susuda.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSoftcover\u003cbr\u003eFirst Edition\u003cbr\u003e424 pp Text by Kotaro Iizawa Translation by Daniel González. Design by Geoff Han Editing by David Strettell and Miwa Susuda.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dashwood Books\/Session Press","offers":[{"title":"Default Title","offer_id":47765988082011,"sku":"","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Daido2.jpg?v=1709567326"},{"product_id":"diane-arbus-an-aperture-monograph-50th-anniversary-edition","title":"Diane Arbus: An Aperture Monograph 50th Anniversary Edition","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eUniversally acknowledged as a photobook classic, \u003c\/span\u003e\u003ci\u003eDiane Arbus: An Aperture Monograph\u003c\/i\u003e\u003cspan\u003e is a timeless masterpiece with editions in five languages, and remains the foundation of her international reputation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003eWhen Diane Arbus died in 1971 at the age of 48, she was already a significant influence—even something of a legend—for serious photographers, although only a relatively small number of her most important pictures were widely known at the time. The publication of \u003ci\u003eDiane Arbus: An Aperture Monograph\u003c\/i\u003e in 1972—along with the posthumous retrospective at The Museum of Modern Art—offered the general public its first encounter with the breadth and power of her achievements. The response was unprecedented. The monograph, composed of 80 photographs, was edited and designed by the painter Marvin Israel, Diane Arbus' friend and colleague, and by her daughter Doon Arbus. Their goal in producing the book was to remain as faithful as possible to the standards by which Arbus judged her own work and to the ways in which she hoped it would be seen. Universally acknowledged as a photobook classic, \u003ci\u003eDiane Arbus: An Aperture Monograph\u003c\/i\u003e is a timeless masterpiece with editions in five languages, and remains the foundation of her international reputation. A quarter of a century has done nothing to diminish the riveting impact of these pictures or the controversy they inspire. Arbus' photographs penetrate the psyche with all the force of a personal encounter and, in doing so, transform the way we see the world and the people in it.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":49189245813083,"sku":"AP-PH-2284","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Screenshot2024-10-09at11.53.16.png?v=1728471223"},{"product_id":"the-americans-by-robert-frank","title":"The Americans by Robert Frank","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA celebrated return of Robert Frank's seminal photobook The Americans  to Aperture's catalog-one of the most important bodies of photographic work ever made. In the nearly seven decades since its publication in France in 1958, then in the United States in 1959, Robert Frank's The Americans has become one of the most influential and enduring works of American photography. Through eighty-three photographs taken across the country, Frank unveiled an America that had gone previously unacknowledged-confronting its people with an underbelly of racial inequality, corruption, injustice, and the stark reality of the American dream. Frank's point of view-at once startling and tenacious-is imbued with humanity and lyricism, painting a poignant and incomparable portrait of the nation at a turning point in history. This edition of The Americans is a celebrated return of an iconic title to Aperture's catalog, more than a half-century after the Aperture and Museum of Modern Art edition was published in 1968. Presented on the centennial of Frank's birth and coinciding with a major exhibition at the Museum of Modern Art, it has been produced following the finest tritone printing from the 2008 edition for which Frank was personally involved in every step of the design and production.  Frank's exacting vision, distinct style, and poetic insight changed the course of twentieth-century photography, and influenced subsequent generations of photographers, including Lee Friedlander, Nan Goldin, Danny Lyon, Joel Meyerowitz, Ed Ruscha, and Garry Winogrand. Now extolled as one of the most groundbreaking photobooks of all time, The Americans remains as powerful and provocative as it was upon publication and continues to resonate with audiences today.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":49451120722267,"sku":"PH-2330","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Americans.jpg?v=1731345032"},{"product_id":"william-egglestons-guide","title":"William Eggleston's Guide","description":"\u003cp\u003e\u003cspan\u003eWilliam Eggleston's 'Guide' was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. \u003cbr\u003e\u003cbr\u003eBound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the 'Guide' contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world. Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. \u003cbr\u003e\u003cbr\u003eFor this edition of William Eggleston's 'Guide', The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.\u003c\/span\u003e\u003c\/p\u003e","brand":"MoMA","offers":[{"title":"Default Title","offer_id":50628656890203,"sku":"MO-PH-Y25-2503","price":55.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/williamegglesonsguidecover.png?v=1748014824"},{"product_id":"rays-a-laugh-richard-billingham","title":"Ray's a Laugh, Richard Billingham","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFirst published in 1996 to enormous acclaim, Richard Billingham’s\u003c\/span\u003e\u003cspan\u003e '\u003c\/span\u003eRay’s a Laugh'\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eis one of the most significant photobooks of the turn of the twentieth century, as well as a cornerstone work of the Young British Artists generation. Formed of starkly intimate images of Billingham’s often chaotic parental home under the heavy effects of alcoholism and poverty, the book was produced in the 1990s with editors Michael Collins and Julian Germain. \u003cbr\u003e\u003cbr\u003eThis new edition restores Billingham’s original vision for his deeply personal work for the first time. Including numerous unseen images and a distinct approach to sequencing inflected by Billingham’s training as a painter: it constitutes a ‘director’s cut’ and reintroduces a vital and consistently challenging work for a new era.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":50784514998619,"sku":"MA-BO-2524","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/raysalaughcover.png?v=1754476932"},{"product_id":"gold-sebastiao-salgado","title":"Gold, Sebastião Salgado","description":"\u003cdiv id=\"bylineInfo_feature_div\" class=\"celwidget\" data-feature-name=\"bylineInfo\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"bylineInfo\" data-csa-c-slot-id=\"bylineInfo_feature_div\" data-csa-c-asin=\"3836575086\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"nklms4-1q4e61-9wb450-xu7zfj\" 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data-feature-name=\"provenanceCertifications\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"provenanceCertifications\" data-csa-c-slot-id=\"provenanceCertifications_feature_div\" data-csa-c-asin=\"3836575086\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"sdmcmj-wu5ndn-wojgzb-fshfxo\" data-cel-widget=\"provenanceCertifications_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"productOverview_feature_div\" class=\"celwidget\" data-feature-name=\"productOverview\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"productOverview\" data-csa-c-slot-id=\"productOverview_feature_div\" data-csa-c-asin=\"3836575086\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"vbo59t-embyni-ifchk1-d2p2cf\" data-cel-widget=\"productOverview_feature_div\"\u003e\u003c\/div\u003e\n\u003cdiv id=\"bookDescription_feature_div\" class=\"celwidget\" data-feature-name=\"bookDescription\" data-csa-c-type=\"widget\" data-csa-c-content-id=\"bookDescription\" data-csa-c-slot-id=\"bookDescription_feature_div\" data-csa-c-asin=\"3836575086\" data-csa-c-is-in-initial-active-row=\"false\" data-csa-c-id=\"rb52u8-3zptqs-agh8k-8ezpqm\" data-cel-widget=\"bookDescription_feature_div\"\u003e\n\u003cdiv data-a-expander-name=\"book_description_expander\" data-a-expander-collapsed-height=\"280\" class=\"a-expander-collapsed-height a-row a-expander-container a-spacing-base a-expander-partial-collapse-container\"\u003e\n\u003cdiv data-expanded=\"true\" class=\"a-expander-content a-expander-partial-collapse-content a-expander-content-expanded\"\u003e\n\u003cp\u003e\u003cspan\u003e“What is it about a dull yellow metal that drives men to abandon their homes, sell their belongings and cross a continent in order to risk life, limbs and sanity for a dream?”(Words by Sebastião Salgado)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen Sebastião Salgado was finally authorized to visit Serra Pelada in September 1986, having been blocked for six years by Brazil’s military authorities, he was ill-prepared to take in the extraordinary spectacle that awaited him on this remote hilltop on the edge of the Amazon rainforest. Before him opened a vast hole, some 200 meters wide and deep, teeming with tens of thousands of barely-clothed men. Half of them carried sacks weighing up to 40 kilograms up wooden ladders, the others leaping down muddy slopes back into the cavernous maw. Their bodies and faces were the color of ochre, stained by the iron ore in the earth they had excavated.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter gold was discovered in one of its streams in 1979, Serra Pelada evoked the long-promised El Dorado as the world’s largest open-air gold mine, employing some 50,000 diggers in appalling conditions. Today, Brazil’s wildest gold rush is merely the stuff of legend, kept alive by a few happy memories, many pained regrets―and Sebastião Salgado’s photographs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColor dominated the glossy pages of magazines when Salgado shot these images. Black and white was a risky path, but the Serra Pelada portfolio would mark a return to the grace of monochrome photography, following a tradition whose masters, from Edward Weston and Brassaï to Robert Capa and Henri Cartier-Bresson, had defined the early and mid-20th century. When Salgado’s images reached The New York Times Magazine, something extraordinary happened: there was complete silence. “In my entire career at The New York Times,” recalled photo editor Peter Howe, “I never saw editors react to any set of pictures as they did to Serra Pelada.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eToday, with photography absorbed by the art world and digital manipulation, Salgado’s portfolio holds a biblical quality and projects an immediacy that makes them vividly contemporary. The mine at Serra Pelada has been long closed, yet the intense drama of the gold rush leaps out of these images.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book gathers Salgado’s complete Serra Pelada portfolio in museum-quality reproductions, accompanied by a foreword by the photographer and an essay by Alan Riding.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Taschen","offers":[{"title":"Default Title","offer_id":50848277397851,"sku":"TA-PH-Y25-2535","price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/sebastio-salgado-gold.png?v=1750937925"},{"product_id":"wolfgang-tillmans-four-books-45th-ed","title":"Wolfgang Tillmans. four books. 45th Ed.","description":"\u003cp\u003eLike hardly any other artist of his generation, Wolfgang Tillmans has shaped our perception of the world. From early portraits of his friends to still lifes, travel shots, nudes, landscape and sky photographs, to his abstract work, Tillmans has created a multitude of iconic works in his unmistakable visual language, opening up new paths and possibilities for both photography and contemporary art. In 2000 he was the first photographer and the first non-British person to receive the renowned Turner Prize.\u003c\/p\u003e\n\u003cp\u003eHis first volume for TASCHEN (1995) shows the young generation of the 1990s, of which Tillmans himself was a member, in clubs, at Gay Pride, at fashion events, and in everyday life. His dense, realistic photographs conjure up tangible utopias of community and society and are important documents of their time as well. With the follow-up volume Burg (1998), Tillmans enriches his subject matter with another array of beautiful, now iconic photographs. In truth study center (2005), his images condense into even more subtle compositions and now stand alongside completely abstract works. Finally, Neue Welt (2012) documents Wolfgang Tillmans’ travels around the globe: from London to Tierra del Fuego, India, Papua New Guinea, Saudi Arabia, and Central Africa, we follow his ever-inquisitive eye for the realities of our planet, for social situations with people and markets, technology and architecture, and last but not least, nature and astronomy. For this volume, the artist for the first time made use of the new possibilities of digital photography. This enabled a density of information and incisiveness hardly seen in photographs until then.\u003c\/p\u003e\n\u003cp\u003eThis 40th-anniversary publication from TASCHEN combines the best of the four books in one volume. 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Rooted in the complexities of Japan during a transformative era from 1968 to the early 1980s, they offer profound insights into the country's evolving landscape. Harmonizing seamlessly with Moriyama's own aesthetic sensibilities, the book's design includes excerpts from Moriyama's diaries, journals and memoranda, providing intimate glimpses into his creative process. As with all Moriyama publications, this photobook is eagerly anticipated by a devoted following, reflecting the enduring importance of his work.\u003c\/span\u003e\u003c\/p\u003e","brand":"Thames \u0026 Hudson","offers":[{"title":"Default Title","offer_id":51271980482907,"sku":"TH-PH-Y25-2595","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/morayamacover_4926778e-5731-4841-b867-5535df508eeb.png?v=1756982138"},{"product_id":"love-on-the-left-bank-ed-van-der-elsken","title":"Love on the Left Bank, Ed Van Der Elsken","description":"\u003cp\u003e\u003cspan\u003eThis is a facsimile edition of one of the classic photography books of the 20th century. Originally published in 1956, the book focuses on the Left Bank of Paris at the time when the area was a centre of creative ferment and the home of the artists, writers and aesthetes who would determine the cultural agenda of a generation. 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Taken during assignments for \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eHarper’s Bazaar, Life, Holiday\u003c\/span\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eParis Match\u003c\/span\u003e\u003cspan\u003e, these images form a unique visual testimony of post-war Europe in the midst of reconstruction. \u003cbr\u003e\u003cbr\u003eFrom the revelers of Bastille Day in Paris to midnight masses in the Abruzzi, and from the funeral of George VI to the dockworkers of Hamburg, '\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Europeans'\u003c\/span\u003e\u003cspan\u003e does not aim to provide an exhaustive inventory, but rather composes a vibrant portrait of the inhabitants of a continent undergoing profound change. \u003cbr\u003e\u003cbr\u003eBeyond national borders, the book evokes a broader sense of European identity, shaped as much by everyday life as by the major upheavals of the time. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e'The Europeans'\u003c\/span\u003e\u003cspan\u003e shared with '\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Decisive Moment'\u003c\/span\u003e\u003cspan\u003e a similar format, a sober and elegant layout, high-quality printing, and a cover designed by a renowned artist (Joan Miró for '\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Europeans'\u003c\/span\u003e\u003cspan\u003e, echoing Matisse’s cover for '\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Decisive Moment'\u003c\/span\u003e\u003cspan\u003e). \u003cbr\u003e\u003cbr\u003eAs with \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Decisive Moment\u003c\/span\u003e\u003cspan\u003e in 2024, the Fondation Henri Cartier-Bresson now offers a reissue of \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eThe Europeans\u003c\/span\u003e\u003cspan\u003e in a smaller, more manageable and accessible format, while remaining faithful to the spirit of the original edition. Seventy years after its first publication, this reissue provides a unique opportunity to rediscover a major work of Henri Cartier-Bresson’s oeuvre, enriched with an unpublished text by Clément Chéroux that places the work in its historical and artistic context.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fondation Henri Cartier-Bresson","offers":[{"title":"Default Title","offer_id":52576919617883,"sku":null,"price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0526\/2540\/8163\/files\/Untitleddesign-4_f7d37905-a49f-490e-8469-c750260aa6e1.png?v=1773336824"},{"product_id":"new-york-street-diaries-phil-penman","title":"New York Street Diaries, Phil Penman","description":"\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003e\u003c\/span\u003e\u003cspan class=\"a-text-bold a-text-italic\"\u003e'New York Street Diaries'\u003c\/span\u003e\u003cspan\u003e is an impressive coffee table book for all the fans of the Big Apple. Phil Penman shows the big city on the east coast of the USA from a side that is rarely seen, calm and tranquil. The pictures were taken partly during the great snowstorm and partly during the COVID-19 Lockdown and are thus contemporary witnesses of the pandemic restrictions that completely turned our previously-known world upside down. Born in England, he has been photographing the streets of New York for well over two decades. He is known, among other things, for his photographs of famous personalities such as Michael Jackson, Madonna, Jennifer Lopez and Bill Gates. When the biggest tragedy in New York's history shook the city on 11 September 2001, Phil Penman was on the spot and created unique footage of the events with his camera.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePenman knows how to capture the city in its most sensitive moments in an impressive way. 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