Concresco by David Galjaard

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Concresco by David Galjaard Photo Museum Ireland
  • Concresco by David Galjaard Photo Museum Ireland
Concresco by David Galjaard Photo Museum Ireland
David Galjaard

Concresco by David Galjaard

Description

2012 / English / edition: 750 copies Fearing an attack from abroad, Albanian Stalinist leader Enver Hoxha had around 750,000 above-ground bunkers built during his time in power, from 1945 until his death in 1985. After the collapse of communism in 1991, the virtually indestructible bunkers were deprived of their unfulfilled purpose, serving purely as an obtrusive reminder of a dictatorship that had had lasted for almost fifty years. Today their massed presence seems mainly to impress foreigners, while Albanians themselves prefer to look to the future. Although accession to the EU is expected to take at least another ten years, the population has a sense of being ready for it. In this documentary, the bunkers are used as a visual metaphor in the telling of a larger social story. They help to paint a picture of developments in a country that was the last in Europe to renounce communism and has set out on a demanding quest to become part of the capitalist West. Specifications: 213 x 340 mm | 168 pages | colour | English | Design: Katie McGonigal | Text: Slavenka Drakulic & Jaap Scholten

Author Bio

Specifications

215 mm340 mm15 mm

Description

2012 / English / edition: 750 copies Fearing an attack from abroad, Albanian Stalinist leader Enver Hoxha had around 750,000 above-ground bunkers built during his time in power, from 1945 until his death in 1985. After the collapse of communism in 1991, the virtually indestructible bunkers were deprived of their unfulfilled purpose, serving purely as an obtrusive reminder of a dictatorship that had had lasted for almost fifty years. Today their massed presence seems mainly to impress foreigners, while Albanians themselves prefer to look to the future. Although accession to the EU is expected to take at least another ten years, the population has a sense of being ready for it. In this documentary, the bunkers are used as a visual metaphor in the telling of a larger social story. They help to paint a picture of developments in a country that was the last in Europe to renounce communism and has set out on a demanding quest to become part of the capitalist West. Specifications: 213 x 340 mm | 168 pages | colour | English | Design: Katie McGonigal | Text: Slavenka Drakulic & Jaap Scholten

Author Bio

Specifications

215 mm340 mm15 mm

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