After working with Richard Avedon, Alen MacWeeney left the world of studio photography and returned home to Dublin in the mid 1960s, acquiring a new 35mm Leica camera. Subjects from this period include itinerant Irish tinker and traveler communities, poetic landscapes inspired by Yeats, and photographs of Amish communities in Pennsylvania. Moving back to New York again in the 1970s, he continued with his now-established signature style of gritty-yet-tender street photography, and produced the subway photographs included in this exhibition.
Alen MacWeeney is still active, living in New York City and Sag Harbor, and traveling to Ireland often. His work is in the collections of museums, institutional archives, and private collections, including the Museum of Modern Art (NY), The Philadelphia Museum of Art, The Art Institute of Chicago, Boston College, and The New York Public Library. His entire collection was recently acquired by University College Cork in Ireland, where it will be archived and maintained. In addition to his 2022 artist’s book New York Subways 1977, MacWeeney has also recently published a limited-edition portfolio of photographs taken in 1975 of his friend and fellow photographer Francesca Woodman.
The New York Public Library's Photography Collection acquired 42 of MacWeeney's New York Subways series photographs in 2013, and his unique artist's book, New York Subways 1977, in 2023.